Reviews starting to come in for Bill Kauffman's 'Copperhead'
"Copperhead," the movie with the screenplay by local author Bill Kauffman, opens in theaters around the United States today and the film has received mostly positive reviews so far.
A screening in Gettysburg, billed as the world premiere, earned director Ron Maxwell a standing ovation.
Writer James Simpson, in a piece of PJ Media, takes a detailed look at the historical and political context of the movie and concludes,
This is a movie well worth seeing; both for its accurate depiction of the times, its rich narrative, and the unique, rarely discussed subject matter, which was in fact a major component of the days’ controversies. It is also completely family friendly – a rarity in Hollywood these days.
Perhaps unsurprisingly, the L.A. Times critic comes off as a bit of a snob and calls the film "lugubrious."
Another Hollywood-based critic says the film is purely for history buffs (while too narrowly constricting the scope of the audience, may be a bit of a left-handed compliment -- this isn't "Fast & Furious 6").
That writer, John DeFore, seems to believe only "Tea Party" types care about the Constitution, writing, "Beech is a dairy farmer who's opposed to slavery but, in language that will resonate with Tea Party-affiliated viewers, argues that Lincoln's war is unconstitutional."
Apparently, one must not color outside of the lines in Mr. DeFore's world.
Though, one of the more favorable reviews has come from Katie Kieffer, writing for the conservative Web site Town Hall.
Copperhead is worth seeing because it re-tells American history with an intimate, engaging and non-textbook approach.
It will be interesting to watch the different reactions to the film from America's various political factions -- especially the simple-minded red state/blue state divide -- to a film that challenges pat answers to questions about the Civil War.
Kauffman has said the movie isn't intended to be preachy or a message movie, except maybe to reinvigorate the lost notion in America of the value of dissent.
In his own lengthy piece about the film for Front Porch Republic, Kauffman writes about the constricting nature of political debate in the country these days.
We live in a time and in a country which finds principled dissent of the sort exercised by Eugene V. Debs and Abner Beech almost incomprehensible. In one sense, freedom of expression knows no bounds: Internet pornography, snuff-game videos, libelous tweets – laissez faire, man. But with respect to politics, art, culture…seldom in American history have the limits of permissible speech been so narrow, so constricting. True, our Eugene Debses aren’t usually thrown into gaols, but nor do they become cause célèbres, like Debs. Their prison is the red state-blue state idiocy under which the limits of acceptable opinion are demarcated by Barack Obama and Mitt Romney, and writers live in the fear (which, I can tell you as one who has long worked with members of the DC punditocracy, absolutely paralyzes careerists) of saying the wrong thing and running afoul of the hall monitors and tattletales who police American discourse.
In media coverage closer to home, Jay Moran interviews Kauffman for WBFO.
"Copperhead" is playing in Pittsford and Williamsville.
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