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New sound for Howard Jones, thanks to Covid-19

By Alan Sculley
howard-jones-simon-fowler.jpg
Photo of Howard Jones by Simon Fowler

By Dave Gil de Rubio

If synthesizers are the engine for Howard Jones’ creative drive, then positivity is the fuel. It’s been that way since Jones broke onto the international music scene with his 1983 hit single “New Song” and has continued to be the case with the current four-album concept that started with 2015’s “Engage,” followed in 2019 by “Transform” and last year by “Dialogue.” The fourth album, “Global Citizen,” is set to wrap up this overarching concept album project, and could arrive as soon as this year.

The English musician described the story arc that has been his focus for the past seven years. “‘Engage’ was about not just being a bystander—be involved in what’s going on around you and don’t think that you don’t have any effect on the world and your environment because you do,” Jones explained in a recent phone interview. “‘Transform’” was about if we want to change the world and change things for the better, we have to start with ourselves. We have to work on ourselves and our behavior towards other people and ourselves as well. And ‘Dialogue’ is what I just described—the importance of communicating towards each other. The next one...is ‘Global Citizen,’ and that’s putting all those three concepts into action and believing that you can have an effect on the world as a global citizen.”

Like the rest of the world, Jones found himself isolated by the pandemic lockdown as he embarked on recording “Dialogue.” The dark mood of uncertainty that came with this global situation meant lyrics came later, but in the end, Jones was able to surmount the challenges presented with being a one-man band, particularly after contracting a post-vaccination case of COVID-19.

“I couldn’t really work with other people on this, so it was me, my growing synthesizer collection, software and studio,” he recalled. “In a way that makes it quite focused, I think. I had plenty of time to experiment, try some new things and get some really great sounds together. I got to spend days on just one sound to make it really special. And having that amount of time was a blessing to really experiment. I suddenly remembered that I used to do a lot of harmony vocals—layered vocals and big multi-harmonized vocals and I got back into that idea. And I wanted my voice to sound different every time I used one of those harmonized vocals and I was experimenting. 

“There was one point that I got COVID-19—I was completely vaccinated and everything but when I got it, I sort of lost my full voice,” Jones said. “I thought I was going to have to try and do something different, so I sang in a different way more quietly. I got a really different sound and I was really quite excited about that. If you’re doing all your own backing vocals yourself, you need to make yourself sound different to differentiate between the lead and backing vocal. It worked for me.” 

And while Jones did all the creative-lifting, he got a compositional assist from BT (aka Brian Transeau), the American musician/DJ/electronic music pioneer who became a close friend of Jones after the latter came out to see him head up an ambitious orchestral project in Miami in 2015. It’s a connection Jones has come to treasure.

“On the new album, we did two or three tracks and BT was great,” Jones said. “For those two tracks—‘Celebrated Together’ and ‘Be the Hero’—he’d sent me some seed ideas for tracks quite a long time ago. I used a bit of that in the writing of them and I’m really hoping that we may get a remix from him based on one of those songs. I know he was particularly excited about ‘Be the Hero.’ We probably will continue to work together maybe throughout the rest of my career because we get on very well. For him, it’s about trying to find time because he’s the busiest man in the universe.”

While this string of albums is heavily electronically driven, Jones will mix things up during his live shows as he opens this summer for Culture Club. 

“It’s an electronic show and we’re going to be debuting a few tracks from the ‘Dialogue’ album along with a couple of tracks from ‘Transform’ and one from ‘Engage’ as well,” he said. “The fans really follow everything I do and I really must look after that as well as playing the hits.”

Looking ahead, Jones and his fan base have plenty of projects to anticipate between “Global Citizen” completing his four-album musical concept, a concert album (“Live at Union Chapel”) and a collection of non-synthesizer-based material Jones has been working on for a number of years (“Piano Composed”). And while he’s understandably excited about this burst of creativity that’s going to take him into the next year, Jones has always clung to the philosophy of gratitude driving him forward while refusing to get caught up in the highs and lows of the music industry and life in general.

“I think it’s very important to be happy with your work and one of the best ways to be happy is to really appreciate the situation you find yourself in, even if it’s difficult or you’re having problems or whether you’re soaring because it’s going well,” Jones said. “Just really appreciate things because if it’s not going well, then you can learn a ton of stuff from that to make it better. If things are going really well, don’t get carried away, because that may stop you from doing great work in the future.”

Howard Jones will be playing at Darien Lake Performing Arts Center on Saturday.

Foreigner announces final tour, with a stop at Darien Lake

By Alan Sculley
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Mick Jones (on guitar) and Kelly Hansen of Foreigner
Photo by Krishta Abruzzini

Foreigner has announced that the band is now embarking on its  final tour -- an outing that could extend well into 2024 when the buses and semi-trucks will get parked and the band members will move on to new chapters in their lives. 

This development doesn’t come as much of a surprise. It’s been widely reported that health issues have prevented guitarist and founding member Mick Jones from playing multiple shows and sometimes only performing a few songs with the rest of the band when he has been able to participate in recent tours.

But what also becomes clear in interviewing singer Kelly Hansen is that he had a good deal to do with deciding it is time for Foreigner to step away from being a touring band. The fact is, Hansen said in a recent phone interview, he recognizes that as a high tenor vocalist, the day is coming when he won’t be able to deliver Foreigner’s songs the way he wants. Certain songs have notes that already are difficult for him to hit and he wants the band to call it a day with touring while they can still play and perform at their current high level.

“It gets harder and harder every year to perform this catalog in the way that it deserves, not only for the songs, but for the fans,” Hansen said. “I want to have us go out strong and have the live presence be remembered as still super strong and energetic,” he added. “That’s how I want the legacy of this band to be remembered.” 

As for Jones, he’ll be along for the final tour as often as possible. “He wants to be out. He’s scheduled to be with us. It all depends on what is allowable for him health-wise,” Hansen said. “I think the show itself is better with him there, but I think the show is really, really good even when he’s not there because it’s really about the songs. It’s about this catalog. It’s about the legacy of what this band has put out over these past 45 years.”

That 45-year history has seen Foreigner become firmly established as one of rock’s most enduring and successful bands, overcoming ups and downs and a major departure along the way. Jones, who previously had been in the band Spooky Tooth, formed Foreigner in 1976. 

Over the course of six albums, from the 1977 self-titled album through 1987’s “Inside Information,” Foreigner notched 15 top 20 singles, the high point coming with the multi-chart-topping epic ballad, “I Want To Know What Love Is” in 1984. Earlier rocking hits like “Feels Like The First Time,” “Hot Blooded,” “Double Vision” and “Urgent” established Foreigner’s credentials as a band with talent for writing catchy mainstream rock.

But then Jones and singer Lou Gramm had a falling out and Gramm left the band in 1990. And while Gramm rejoined Foreigner for the 1994 album, “Mr. Moonlight,” any return to former glories was sidetracked when Gramm needed surgery to remove a brain tumor in 1997.

He was able to resume touring in 1998, but tensions gradually returned and the Jones/Gramm partnership ended in 2003. After a couple of years, Jones decided to bring back Foreigner. Hansen, who had fronted the band Hurricane from the mid-1980s into the early 1990s, got wind in 2004 that Jones might be forming a new edition of Foreigner and pursued the singer’s slot. He got an audition, which he obviously passed.

But Foreigner was not going to return at anywhere near the same level of popularity the band had achieved in the 1980s, and Hansen said the band had to get an entire organization, from management on down, in place, and more to the point, rebuild relationships, not only with fans, but with promoters, booking agents and other industry professionals.

“Of course, the band had the catalog and a great history, but there had been some damage done over the previous years,” Hansen said. “So it took time for us to develop trust with people. But as soon as we started doing shows, I think people recognized that this was something again formidable and were willing to take a chance on us again and do that and gave the band that new breath of life.”

As the years ensued, Foreigner played bigger and bigger venues while earning respect for the way the band delivered the song catalog. Another key step in solidifying the credibility of the “new” Foreigner, Hansen said, was making an album of new songs, “Can’t Slow Down,” which was released in 2009.

The lineup that made “Can’t Slow Down” is largely intact today, with guitarist Bruce Watson, drummer Chris Frazier (who joined in 2011 and 2012 respectively), and guitarist/bassist Luis Maldonado (a 2021 recruit), stepping in alongside Jones, Hansen, bassist/keyboardist Jeff Pilson and keyboardist Michael Bluestein. This stability has helped the band’s credibility as well, and Hansen is proud of what his edition of Foreigner has accomplished.

“I think over the course of these 20 years, what we’ve done, my goal has been to maintain the legacy of this band and the integrity of the catalog and give it the sincerity and the dignity that it deserves,” Hansen said. “I think that we have done that.”

Foreigner will be playing at Darien Lake Performing Arts Center on Friday

Quarantined sessions brings new blues album for Gov't Mule

By Alan Sculley
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Photo of Gov't Mule by Jay Sansone

By Aaron Irons

Gov’t Mule’s latest album “Peace… Like A River” shreds laurels and hews fresh sounds from a batch of deeply personal and dynamic songs that deliver fuel for new and longtime admirers alike without giving into convention or complacency. A dozen studio albums in, the gang that originally hammered out its vanguard album at the Allman Brothers' old house in Macon, Georgia three decades ago is possibly even more compelling today than it was then.

Recorded in the same stretch of quarantined sessions that also begat the Mule’s 2021 juke- fest, “Heavy Load Blues,” “Peace… Like A River” is the story told clear-eyed in the sunshine, wary of encroaching shadows, and informed by lead guitarist/songwriter/frontman Warren Hayne’s pandemic experience.

“We decided to go with the blues record first because we'd been talking about doing a blues record for a long time and we thought, ‘Well if there was ever a time when everybody's got the blues, this is it!’” laughed Haynes, the Asheville, North Carolina native who started Gov’t Mule with drummer Matt Abts, and the late bassist Allen Woody in 1994. “‘Peace... Like A River,’ in some ways, deals with coming out of COVID and the whole lockdown, which we're all thankful to be out of -- assuming we are -- but it deals with it in more of a celebratory ‘other side of hell’ way.”

Recording the album’s more introspective material during daylight hours in the main room at the Power Station studio in Waterford, Connecticut, today’s lineup of Gov’t Mule, Haynes, Abts, bassist Jorgen Carlsson and keyboardist/guitarist Danny Louis would end the evening in one of the studio’s adjacent spaces, cranking out oily, fire-belching blues.

“We would switch our brains off, take a dinner break, and after dinner, hole up in the little small room next door and play blues the rest of the night! It was kind of a way of cleansing our brains and it turned out to be the right recipe,” said Haynes, who called in for this interview in late April.

Songs like “Made My Peace” offer up epic swells of stadium rock and psychedelia while plumbing emotions of loss and resignation, spiritually evoking the prodigal and notions of forgiveness. “It's also a metaphor for just coming back,” Haynes said. “It's written through the eyes of the prodigal son, which I don't think of myself that way, but metaphorically speaking, there's a lot of references to being gone for a long time and finding your way back. I also lost my dad during this process, which was really tough for me. And still is.”

On “Gone Too Long,” Haynes pays tribute to a fallen hero. “‘Gone Too Long’ is more of a one-on-one relationship with your soulmate, but the same thing of acknowledging how much of your life you've spent being away and what damage it did, and what major losses were suffered along the way,” Haynes revealed. “[It's] is a song that I wound up dedicating to David Crosby, who I only knew slightly. We played together once, but he was definitely an influence. I felt like that song had some of his influence from the very beginning, and then when he passed, it just made perfect sense for me.”

A wealth of special guests are seasoned throughout “Peace… Like A River,” including stellar shots from Ivan Neville and Ruthie Foster on the buoyant but lamenting “Dreaming Out Loud,” soul/blues belter Celisse Henderson, who appears on the hope-and-keys-laden “Just Across The River,” and icon Billy F. Gibbons of ZZ Top, who drops in on the “Heavy Load Blues”-ish “Shake Our Way Out”.

“That song, when we started working it up in the studio, it took on a ZZ-influenced vibe from the beginning and that's what urged me to call Billy and ask him if he would get involved,” said Haynes. “It was great. You know, he had played on a song called "Broke Down On The Brazos" that we did on (the 2009 album) “By A Thread” but he didn't sing. And on this one, he just sang and didn't play, so next time I guess we gotta get him to do both!”

With the revelation that he’s writing new material, Haynes is careful not to commit to the next chapter while Gov’t Mule prepares to embark on a tour that will crisscross North America through year’s end. “You know, I’ve been writing a lot of stuff that is more similar to “Man In Motion,” Haynes said, referencing his 2011 solo effort. 

“It’s somewhere between [that] and “Ashes & Dust,” and I wonder if maybe the next thing I do might wind up being a solo record. I’m sure after two records and two back-to-back tours, Gov’t Mule might want a break. I’m not there yet, but I have started to write a lot. “I’m looking forward to getting back in the studio, but for now, we’ve got a lot of stage playing to do,” he said.

Gov't Mule plays at Darien Lake Amphitheater on Sunday.

Photos: Great White, Seven Day Faith, Savage Cabbage rock the Downs

By Howard B. Owens
great white
Brett Carlisle, lead singer of Great White.
Photo by Nick Serrata.

Great White, stepping in for Skid Row after that band canceled, headlined another rockin' night at Batavia Downs on Friday.

Photos by Nick Serrata.

great white batavia downs
great white batavia downs
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Seven Day Faith
Photo by Nick Serrata.
savage cabbage
Savage Cabbage
Photo by Nick Serrata

Photos: BID's Thursday Nights in Jackson Square opens with Vette

By Howard B. Owens
vette in jackson square
Kole Moore, the band Vette.
Photo by Howard Owens.

Vette opened the Thursday Night concert series in Jackson Square yesterday.

The band consists of Kole Moore, lead vocals and rhythm guitar, Alex Fitzak, lead guitar, and on Thursday, the substitute rhythm section was Mike "Thunder" Warren on bass and Alex DeSmit on drums.

The next show is the band Free Beer on Thursday, followed by Qwister on Aug. 10 and Radio Relapse on Aug. 17.

The concerts are hosted by the Business Improvement District.

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Vette on stage at Jackson Square.
Photo by Howard Owens.
vette in jackson square
Alex DeSmit
Photo by Howard Owens.
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Mike "Thunder" Warren on bass.
Photo by Howard Owens.
vette in jackson square
Alex Fitzak on lead guitar.
Photo by Howard Owens

Photos: Free concert at The Greens in Le Roy

By Howard B. Owens
inside out at St. Ann's in Le Roy

St. Ann's Community at the Greens in Le Roy hosted a free outdoor concert on Thursday.

A stage was set up in on the back lawn of The Greens and Inside Out, playing mostly a set of The Beatles, performed for 90 minutes. 

Food trucks were available for food and beverages.

Photos by Howard Owens.

inside out at St. Ann's in Le Roy
inside out at St. Ann's in Le Roy
inside out at St. Ann's in Le Roy
inside out at St. Ann's in Le Roy

Great White will now perform at Rockin' the Downs July 14

By Press Release

Press Release:

Batavia Downs Gaming & Hotel announced today that due to circumstances beyond their control, the concert on July 14 will no longer feature Skid Row. Great White will perform at Pepsi’s Rockin’ The Downs Summer Concert Series.

Great White has an arsenal of songs that include the Grammy nominated Best Hard Rock Performance hit, “Once Bitten, Twice Shy,” Great White has sold over 10 million albums worldwide, has six Top 100 Billboard hits, nine Top 200 Billboard albums, two platinum albums, and clocked the top of MTV four times.

Please note that tickets purchased for the Skid Row concert will still be honored on that date.  Those wishing for a refund may do so through their point of purchase.  Info can be found inside of your ticket confirmation email.  Tickets purchased at the Lucky Treasures gift shop may be refunded during normal gift shop hours.

Tickets are available for Great White right now on BataviaConcerts.com

Exhibition at Van Detta puts area drum and bugle corps in the local spotlight

By Howard B. Owens
Mighty St. Joes Drum and Bugle Corp

A drum and bugle corp exhibition at Van Detta Stadium on Saturday night provided enthusiasts for the genre to see a variety of ensembles to perform, said Shannon Mellander, a music teacher and one of the organizers.

"There's not a lot of places to go and see some of this competitive drum corps up in New York, even though there used to be a long time ago," Mellander said. "So it's kind of nice to have something a little bit centrally located in Western New York where people can get a glimpse. They don't have to watch a video."

The event was also a fundraiser for Batavia High School's Winterguard.

Participating were:

  • St. Joseph's of Batavia Brass Ensemble
  • Brig Juice
  • The Hamburg Kingsman
  • The Mighty St. Joe's Drum and Bugle Corp of Le Roy (featured in the accompanying photos)
  • The White Sabres

The White Sabres is an all-ages summer program that competes regionally and includes several Batavia students.

It was their preview performance of their 2023 program, "Invasions," which is a homage to iconic science fiction films such as War of the Worlds, Signs, and Independence Day. 

The group next takes the show on the road, with performances in Pennsylvania, New Jersey, and downstate, culminating a finals competition in Rochester at the Rochester Community Sports Complex on Labor Day Weekend.

"(The exhibition) is really exciting for us to be able to have this in our hometown, in Batavia, because there are a lot of people from this area involved in all of these groups, alumni groups, in the White Sabres," Mellander said.  "There are people from Rochester, there's kids that come from Binghamton and from Buffalo and Jamestown. I like that we're able to feature them, and everybody can come and see them since all of the competitions are out of town."

Photos by Howard Owens.

Mighty St. Joes Drum and Bugle Corp
Mighty St. Joes Drum and Bugle Corp
Mighty St. Joes Drum and Bugle Corp
Mighty St. Joes Drum and Bugle Corp
Mighty St. Joes Drum and Bugle Corp
Mighty St. Joes Drum and Bugle Corp
Mighty St. Joes Drum and Bugle Corp
Mighty St. Joes Drum and Bugle Corp
Mighty St. Joes Drum and Bugle Corp
Mighty St. Joes Drum and Bugle Corp

Brett Young brings decade of hits, new album rooted in domestic bliss to Darien Lake

By Alan Sculley
brett young
Brett Young
Photo by Red Media

When Brett Young began work on his latest album, “Weekends Look A Little Different These Days,” he faced a whole new challenge as a songwriter. He had strived to be authentic in his writing, delving into subject matter that allowed him to draw from his personal experiences.

But that approach wasn’t going to work on the “Weekends” album, especially if he was trying to write about where his life is now.

Married to his long-time girlfriend, which he literally says is the love of his life, and a father of two little girls, Young knew his happy life wouldn’t make for a compelling album.

“It would have been really tempting to just write basically a lullabies record, love songs about my wife and songs about my children,” Young said in a late-April phone interview. “So the challenge was that you can’t write just about what you’re going through in your life right now. That’s going to be boring.”

Fortunately for Young, he was working with some co-writers who have been around the block and knew how to put an authentic personal touch on a lyric and honestly convey a variety of emotions over the course of an album.

“It’s hard when you’re in the happiest place in your life, and you’ve got to still write a sad song, and we did,” Young said. “We did that, but we did it through a lot of conversations. I’d get in with a songwriter or a couple of songwriters, and I’d be like, ‘Tell me about your worst heartbreak. Explain that to me.’ We started having to go down that path, and that was a new stage of songwriting for me. Don’t just do what you’re feeling right now; here’s a topic, go back to a place where you did feel this way and write it. And we did that. I think it stretched me in a really good way as a songwriter.”

This new approach to songwriting is very evident on “Weekends Look A Little Different These Days,” and Young has essentially crafted an album that touches on the long and winding road he has traveled with his wife, Taylor.

Young, though, didn’t want to tell a linear story about his history with Taylor. Instead, the songs on “Weekends” feel like snapshots from various moments of their journey, which included three breakups before they decided they truly should be together.

“For us, our story wasn’t linear anyway,” Young said. “I met Taylor, this Thanksgiving, it will be 16 years ago. So we have a long, storied history.”

The album culminates with the song “This,” which describes how the life Young and Taylor have now has made the heartaches and good times from their dating years completely worth it.

“That one really fell out quick,” Young said of “This.” “It got me talking about my family (with Taylor), and it immediately made me realize it doesn’t matter, three breakups, 20 breakups, whatever, it was all part of our journey to get here, to this.”

Like his history with Taylor, Young’s musical life has been a journey that had its share of frustrations before things fell into place for the 42-year-old singer/songwriter.

He began by playing covers of other peoples’ songs, first at restaurants and other venues around his Orange County, California, home base and later in the big city of Los Angeles, while he independently released a pair of EPs and three albums, hoping to get a record deal.

But Young’s career remained stuck in neutral until he realized his songs actually were well suited to country music, and he moved to Nashville. There, Young quickly made contacts and, within nine months, signed with Big Machine Records.

In short order, he was in a studio making his self-titled debut album with noted producer Dann Huff. The album’s advance single, “Sleep Without You,” reached No. 2 on “Billboard” magazine’s Country Airplay chart. Then another single, “In Case You Didn’t Know,” topped the Country Airplay chart and went top 20 on “Billboard’s” all genre Hot 100 chart. The hits have kept coming since, with his second album, “Ticket To L.A.,” adding “Here Tonight” and “Catch” and “Weekends Look A Little Different These Days” adding “Lady” to his list of chart-topping singles.

For a while, Young worried that he might have to leave even some of his popular ballads out of his concerts to keep his shows from getting too sleepy for audiences. But as his current shows demonstrate, he’s found that his fans aren’t worried about the pace of his concerts.

“What we’ve found out is that people aren’t thinking about that at my shows. They bought a Brett Young ticket. They know the music,” Young said. “They came to hear the music that they know. So every time we try to kind of inauthentically ramp it up for the sake of ramping it up, they’ve felt like they missed out on a song or two they wanted to hear. So it’s been less about the setlist and more about paying attention to my fan base and what they’re actually coming to the show for.”

Brett Young performs at the Darien Lake Performing Arts Center on Saturday.

Photos: Craig Morgan and Drake White at Batavia Downs

By Howard B. Owens
craig morgan

Country music recording artist Craig Morgan, with hits such as "That's What I Love About Sunday," "Almost Home," "Redneck Yacht Club," "Little Bit of Life," and "International Harvester," brought his tour into Batavia on Friday with a stop at Batavia Downs.

Opening for Morgan was Drake White as part of the summer's Rockin' the Downs concert series.

This Friday, the show will get a little more rockus with Skid Row taking the stage.

Photos by Nick Serrata.

craig morgan band member
craig morgan
craig morgan
drake white
drake white

After thunder roars, Ramble rolls on with bands schedule to hit two stages into evening

By Howard B. Owens
ramble 2023
Paul Draper, with his band Shotgun Pauly, gets the Ramble going again after a rain delay on Saturday.
Photo by Howard Owens.

An unexpected thunderstorm at about 1 p.m. on Saturday couldn't keep the Batavia Ramble and Arts Fest from rolling on, though it did put the music on pause for about an hour.

Paul Draper, one of the festival's organizers, said the music will continue throughout the day, pausing only for more thunder if it comes back.

Bands will continue to take the stage as scheduled, Draper said, just before his band, Shotgun Pauly, started its 2:20 p.m. scheduled set about 10 minutes late, giving him and his guys only 10 minutes to perform.

"We just keep an eye on it," Draper said. "We'll pause and pick up as the weather dictates.  We can only plan so much, but at the end of the day, it all comes down to the weather."

He said plenty of people were sticking around, and the sun had come back out, so, he said, "I still think it's going to be a good day."

Photos by Howard Owens.

ramble 2023
ramble 2023
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ramble 2023

Photos: Get the Led Out at Batavia Downs

By Staff Writer
get the lead out

Led Zeppelin tribute band Get the Led Out returned to Batavia Downs on Friday night as part of the Rockin' the Downs concert series.

Photos by Nick Serrata.

get the lead out
get the lead out
get the lead out
get the lead out
get the lead out
get the lead out

Local talent shines through on damp evening in Jackson Square

By Howard B. Owens
homegrown concert july 23 2023
William Franz performed on bagpipes. 
Photo by Howard Owens.

The skies may have been overcast, but the local talent shone through in Jackson Square on Friday night with the first of two Homegrown Concerts, hosted by Bill and Kay McDonald.

A second featuring young local talent, and some mature folks, is scheduled for Friday, June 30. The showtime is 6 p.m.

On the bill for the next show: William Franz (bagpipes), Leah Ford (guitar), Nolen Wright (guitar), Ayralynn Thompson (ukelele), and Quinn Karcher (accordion), along with Deanna Spiotta and Don Thomas and Steve Kruppner.

The evening's entertainment is rounded out with the Ghostriders and the Old Hippies.

Previously: Homegrown talent starting young in concerts hosted by The Old Hippies

homegrown concert july 23 2023
The family of William Franz watched from the High Cotton patio at Center Street Smokehouse.
Photo by Howard Owens
homegrown concert july 23 2023
Local acoustic guitar virtuoso Steve Kruppner performed two original instrumentals and songs associated with Doc Watson.
Photo by Howard Owens
homegrown concert july 23 2023
Photo by Howard Owens
homegrown concert july 23 2023
As always, performers found an appreciative audience in Jackson Square. 
Photo by Howard Owens
homegrown concert july 23 2023
Leah Ford performed with the Old Hippies (Kay McDonald and Bill McDonald).
Photo by Howard Owens
homegrown concert july 23 2023
Nolen Wright performed with the Old Hippies
Photo by Howard Owens
homegrown concert july 23 2023
The new patio at Eli Fish is open.
Photo by Howard Owens
homegrown concert july 23 2023
Photo by Howard Owens
homegrown concert july 23 2023
Bill McDonald
Photo by Howard Owens
homegrown concert july 23 2023
It got a little damp at times during the show.
Photo by Howard Owens

Almost Queen rocks the Downs to open the 2023 concert season

By Howard B. Owens
almost queen
 Joseph Russo as Freddie Mercury in Almost Queen.
Photo by Nick Serrata.

The Rockin' the Downs concert series at Batavia Downs in Batavia opened with another big crowd for the Queen tribute act, Almost Queen.

Photos by Nick Serrata.

almost queen
Photo by Nick Serrata.
almost queen
Stealin' opened the show.
Photo by Nick Serrata.
almost queen
Photo by Nick Serrata.
almost queen
A fan catches a free souvenir during a pre-show t-shirt toss.
Photo by Nick Serrata.
almost queen
Photo by Nick Serrata.
almost queen
Fans kept vendors busy before and during the show.
Photo by Nick Serrata.

More than two dozen acts set to entertain music lovers at the Ramble on July 1

By Howard B. Owens
paul draper 2017 ramble
File photo. Paul Draper, aka PD3, leader of Shotgun Pauly, during the 2017 Ramble.
Photo by Howard Owens.

The lineup for this year's Batavia Ramble and Art Fest has been released, with 28 acts set to perform on two stages in Downtown Batavia.

The music starts on Saturday, July 1, at 11 a.m., with each band playing a 30-minute set and 10 minutes between acts.

The annual memorial will be held at 5 p.m. in Jackson Square.

The final two bands of the Ramble, The Royal Halls and The Bluesway Band, play at 8:10 p.m. and 8:50 p.m. in Jackson Square.

Jackson Street will again be filled with vendors and booths for local artists.

Jackson Street Stage

  • Dave Knaudt
  • Sky Hinrich
  • Steven Sprauge
  • Steve Kruppner
  • Don Thomas
  • David Holnbeck
  • Kissin' Whisky
  • Tom Ryan & Friends
  • Perception
  • Zackstreet Boys
  • Indigo Flow
  • The Cowboy Vampires

Jackson Square Stage

  • Ghost Riders
  • The Rock-A-Bully's
  • Gumshoe
  • DriVen
  • Bad Sign
  • The Bluesway Band
  • Shotgun Pauly
  • Old Hippies
  • Remedy Three
  • Beethovens Dream
  • Sierra
  • High Pines
  • Sons Of Luther
  • Noah's Reign
  • The Royal Halls
  • The Bluesway Band

Area musicians keep Father's Day tradition alive with jamboree in Oakfield

By Howard B. Owens
Father's Day Jamboree
Musicians from throughout the region and a few hundred music fans gathered in Oakfield on Father's Day for the annual Retro Jam and Musicians Reunion.
Photo by Howard Owens.

An audience and a chance to play is usually a pretty good reason for local musicians to show up at a venue on a sunny afternoon, and add in a chance to see the guys and gals they are too busy to see on gig nights, and a few dozen are likely to make the scene.

And though the venue had changed since its inception, that's been what has kept the Father's Day Retro Jam and Musicians Reunion going since 1978.

"Most of the musicians playing the jamboree are working musicians," said organizer Bill Pitcher. "They've been in different bands together, but while they're working, they don't see each other much because when they've got gigs, they're playing in different places.  This is a chance for musicians to get together to mix and chat and have some fun."

The first jamboree was part of the Stafford Firemen's Carnival and grew bigger each year until the Stafford Volunteer Fire Department discontinued the carnival because of changes in state law forced them to end the annual Corvette Raffle.

Soon, area musicians were calling Pitcher with one question: "Where are we going to jam?"

Scott Graff and his wife Val had a solution, Pitcher said.  The Oakfield Rod and Gun Club. There's a pavilion with electricity, plenty of grass for lawn chairs and canopies and parking.

"It's a great venue," Pitcher said. 

The Rod and Gun Club sells hotdogs, there are public restrooms available and everything is friendly and laid back.

A 50/50 raffle raised $1,000 for the Center for H.O.P.E. at the VA Hospital in Batavia.

"This is the second year at the Rod and Gun Club," Pitcher said. "They've been very cooperative and friendly, very supportive."

The lineup of bands is a mixture of the old guard and some young musicians, so there's a next-generation ready to move forward with the event in the coming years.

This year's lineup included the Ghost Riders, the Double Image Band, Front Porch Pickers, Rock-A-Bully’s, Prospect, Sounds Good, and Bad Sign.

"We have a waiting list of bands that want to come and play," Pitcher said. "Most of the bands have been playing for years and years but we're getting a couple of younger bands involved."

Father's Day Jamboree
Photo by Howard Owens.
bill pitcher
Bill Pitcher
Photo by Howard Owens.
Father's Day Jamboree
Greg Houseknecht
Photo by Howard Owens
Father's Day Jamboree
Keith Worthington
Photo by Howard Owens.
Father's Day Jamboree
Nino Speranza
Photo by Howard Owens.
Father's Day Jamboree
Photo by Howard Owens.
Father's Day Jamboree
Photo by Howard Owens.

Homegrown talent starting young in concerts hosted by The Old Hippies

By Howard B. Owens
Bill and Kay McDonald
Kay and Bill McDonald in Jackson Square recently preparing for the Homegrown Concerts hosted by the Old Hippies on June 23 and June 30.
Photo by Howard Owens.

Bill and Kay McDonald have spent their living the dream, playing and singing for smiling, clapping, foot tapping, and sometimes dancing audiences.

They decided a few months ago they wanted to give young, aspiring performers a chance to relish the same experience they've enjoyed all these years -- getting on stage with a good sound system in front of an audience looking to be entertained.

The McDonalds are producing concerts on June 23 and June 30 that will feature young performers. Both shows start at 6 p.m. in Jackson Square.

"We're really concentrating on the youth this time," Bill McDonald said. "We've got eight, nine, 10-year-olds that we've wrangled in -- guitar players, a bagpipe player, and accordionist.  We've got a couple of more seasoned veterans like Deanna Spiotta and Don Thomas and Steve Kruppner."

The young artists include William Franz (bagpipes), Leah Ford (guitar), Nolen Wright (guitar), Spencer Moscicki (guitar on June 23), and Quinn Karcher (accordion on June 30).

Also on the bill, the Ghost Riders and the Old Hippies.

The name of the show is, naturally, "Homegrown."  The event is paid for through a $5,000 grant from the state that was administered by GO ART!

The young performers were found by talking with teachers and friends, but even with the dates set, there might be more room on the bill for other aspiring performers.

"We could probably squeeze room for more," Bill said. "If we had a few more, we could. Every time you do that, it limits somebody else's time. But that's okay. We think the more, the better. Everybody's gonna play. If we (the Old Hippies) only get a couple of songs than so be it."

Bill McDonald can be reached at 585-250-2269 or billmcdonald50@gmail.com  

The performances will be live-streamed at https://www.facebook.com/bill.mcdonald.188 and https://www.youtube.com/@oldhippies933.

 

Bill and Kay McDonald
Photo by Howard Owens
Bill and Kay McDonald
Photo by Howard Owens

Le Roy's Evan Williams has a singular passion for musical theater, and Broadway beckons with Jimmy Awards

By Howard B. Owens
Evan Williams Newsies 2022
Evan Williams performing in Le Roy High School's production of Newsies in 2022.
Photo by Howard Owens.

A lot of well-meaning adults around Evan Williams' life have a bit of advice in the form of a question:  "What's his backup plan?" 

"What is he going to do if it doesn’t work out?" they ask.

Musical theater is going to be what Evan Williams does, says his mother, Laura.  He might wait tables while building his career, but singing and acting, or perhaps some other career role in or around Broadway, is what he is going to do with his life.

She doesn't have any doubt about it.

“People ask all the time about his fallback plan, but I can’t see him doing anything else,” Laura said.

One of his inspirations and mentors, John Bolton, a Le Roy graduate who has made a career in musical theater, TV and movies, said he hates the term "backup plan." 

"Back-up plan means this is what you're going to settle for if things don't work out," Bolton said. "You should always have something else that interests you in life, but a backup plan always sounds second-rate. It's not going for your dreams."

Williams has his best chance yet to go after that dream.  He's one of 100 students from around the nation who has won a place in the Jimmy Awards in New York City.

He secured his spot last week by winning -- along with Hope Galloway (Brighton High School) -- the Rochester Broadway Theatre League's "Stars of Tomorrow" competition.

Judges from the league visited the musicals of dozens of high schools in the Finger Lakes region and selected 40 students to compete in "Stars of Tomorrow."  After a first round, those 40 competitors became 20, then 10, and then the final two.

Last year, Williams also made the final 10.  This year, he won.

Evan Williams as Jean Valjean in the Le Roy 2023 production of Les Miserables.
Evan Williams as Jean Valjean in the Le Roy 2023 production of Les Miserables.
Photo courtesy Laura Williams.

"Evan was prepared and focused," said Bolton, who was an early round judge and then coach throughout the competition.  "He's got an amazing voice. He took our notes and worked at it, as did the entire Top 40.  He took very slight adjustments because he's well prepared. He owned the night, as did Hope Galloway.  Everybody was wonderful. If it had taken place on another night, maybe someone else would have won, but that night, Evan claimed it. He owned it."

It was an incredible experience, Williams said.

He said the weeks leading up to the competition were anxious days.

"I had a lot of pressure to take on," Williams said. "Everyone had been telling me that I was gonna be the one, but I wasn’t gonna take anyone’s word for it other than my own."

He had grown up watching the Jimmys, hoping for even a regional consideration.  

"I never had really thought of it as a reality until it became a reality," Williams said. "I knew it was possible, but I didn’t want to allow myself to think I didn’t have to work for it. I never want to do that for anything. Nothing should be handed to anyone. I had said to Nate Yauchzee on the way to the event that I remembered watching kids get picked to compete at NYC Bound and just being astounded, so even the fact that I was lucky enough to be part of the competition, not once but three times is crazy. On top of that, I think sixth-grade Evan would be incredibly proud of the fact that he is the first person from Le Roy to represent Rochester at the Jimmy Awards. I hope that there are some little Evans in the world who watch those videos and are inspired just the way I was."

Jacqueline McLean has directed the recent high school musicals at Le Roy and recognizes that Williams is a special talent.

"Evan has a heart of gold," McLean said. "Often, he's not thinking about himself. He's thinking for the better of the group, about a better musical, a better performance from the team. He's a team leader, and I'm a big believer that you're not going to get anywhere if you're not kind.  He shows that often."

She said Williams is magnetic, that he connects with audiences in a way that's unique, that she hasn't seen other students be able to do.

"I have no doubt that he's going to go to college, and he's going to make a career out of this," McLean said. "I always joke with him, 'Don't forget the little people, don't forget where you came from because we're going to be cheering for you for years to come.'"

She's proud of Williams, but she's also proud of the entire Le Roy Music Department.  Le Roy was represented in Rochester by not just one but five students, and three of them made the final 20.

Le Roy's musical this year was Les Miserables.  The production was honored in every category of the theatre league's awards for 2023. Recognized as leading cast members from Le Roy were Ashlyn Puccio, Aubry Puccio, Cooper Terry, Jackson Cain, Maureen Klaiber, and Nathan Yauchzee.  Among large schools, it was recognized for excellence in overall musical production, excellence in vocal ensemble, excellence in dance ensemble, excellence in production crew, and excellence in student orchestra.

"When you see kids over the years," she added, "you pick out the ones who have the 'it' factor.  We've had a lot of them in Le Roy.  We joke about it a lot -- that it must be something in the water.  There is so much talent in this town."

After graduation, Williams, in pursuit of his musical theater ambitions, will attend Point Park University in Pittsburgh.

Attending college for music theater puts him on a very different career path than Bolton, who also grew up in love with theater, who started out in regional theater and then took a chance and moved to New York City and happened to make the right connections to build a career.

It helped that he, too, is a nice guy, but he recognizes he might be the best guide for Evan's career.  Bolton's partner is a theatrical agent, so was able to offer Williams advice on universities to target.

Other than that, he's just a big believer that Williams should focus on what he loves.

"All signs are saying that Evan Williams can do this," Bolton said. "He's diving into a situation in New York in a few weeks with 100 other students from all over the country, and he will form friendships that will last a lifetime. He will form connections that will last a lifetime."

Bolton has known Evan's mother, Laura, since they were very young.  Bolton's mother and Laura's mother, Lynn Belluscio, the Le Roy historian, have been good friends. Social media helped Bolton and Laura reconnect, and so he's been able to watch Evan's passion for theater blossom.

Laura said the main advice Bolton has ever given her son, because Evan is taking just a different path in his career, is to embrace his passion.

“John is always in Evan’s corner but more along the lines of, ‘follow your dreams, sing the songs that make you happy, be true to yourself,’” Laura said.

She's extremely proud of her son.

"Not only does Evan work hard, but he’s also genuine," Laura said. "He lifts people up and celebrates everybody’s success.  In this career, he’s learned quickly that if he’s going to go places, he has to help other people. It’s far more than a kill-or-be-killed arena. That’s what I’ve noticed. Clearly, that’s a parent's answer, but that is what makes me proudest, and I know that makes Justin proud as well."

Williams has heard those well-meaning words about having a fallback plan, but he agrees with his mother. He can't see himself doing anything else.

He said he's listened to interviews with stars like John Meyer, who said he didn't necessarily get the best grades in school in mathematics. He was always a music guy. Williams said he's tried to do his best in school, even in mathematics, but those academic subjects, or even sports, have never been his focus.

"Some kids grind at science or they grind at mathematics. They go home and do their science homework or their math homework.  When I'm not in school, I spend my time with voice lessons, music lessons, rehearsals, or something like that.  That's my form of success," Williams said.

"This is something I want. If I keep pushing for it, I believe it can happen.  I’m a big if you can dream it, you can do it. I'm that kind of guy."

Evan Williams Newsies 2022
Evan Williams performing in Le Roy High School's production of Newsies in 2022.
Photo by Howard Owens.

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