musical

Press Release:

On Thursday, March 7 the curtain rose on the sold-out run of Byron-Bergen Drama Club’s presentation of “Beauty & the Beast”. More than just a replica of Broadway, the Drama Club created a uniquely local presentation with original costumes and set pieces, including a wood-chopping machine designed and built by the High School Technology Club. 

They also included several references to local businesses and humorous cast interactions such as a student actress facing off against her real-life father during the battle for the enchanted castle.

From the imaginative shadow puppet narrations to the enchanted cheese grater, the Drama Club had the audience completely under their spell.

The young cast was anchored by seniors HannahRae Amador, Aurora Hiscutt, Malachi Smith, pit band percussionist Quintin Rich, and numerous experienced performers from last year’s presentation of “Hairspray”. Amador supported the village and castle ensembles both as an enthusiastic pub manager with a Viking helmet and wicked pirouette as well as a feisty coatrack, not afraid to defend the castle with loud whistles and impeccable comedic timing.

Hiscutt joined Gianna Graff, Katherine Rogoyski, and Genevieve Smith as the hysterical quartet of “silly girls” swooning after the vain and villainous Gaston. Hiscutt is a team player, bringing beautiful harmonies, giggles, and shrieks to the quartet as well as stepping out into the spotlight for solo work.

Rich, the only student-musician in a pit band full of seasoned professionals, kept the beat rolling from curtain to curtain including an epic three-minute drum solo of his own composition which acted as the lone score for the castle battle scene.

M. Smith took on the title antagonist turned hero, cursed into a monstrous appearance and racing the clock to return himself and his enchanted household to human form. He balanced Beast’s fierce roar and explosive temper with soaring tortured ballads, highlighting his skilled vocals. M. Smith impressed both with his physical acting as he single-handedly battled a pack of acrobatic wolves and with the tenderness that transcended his claws and prosthetic headpiece during his interactions with Belle.

Sophomore Gianna Clark is masterfully expressive, creating a Belle who was more than just an avid reader, but whose affection for her father and enchanted friends was as real as her ever-growing contempt for her supercilious suiter, Gaston. Clark’s vocal performances showed not only her range and precision as a singer, but her talent for living the character through song.

Gaston, played by Sophomore Roman Smith, at first seemed nothing more than an arrogant buffoon with silly one-liners about his thighs, but R. Smith unleashed flashes of Gaston’s cruelty, which peaked as he and his sidekick Lefou whipped up a frenzied mob of townspeople to storm the Beast’s castle. Lefou, played by 7th grader Teagan Williams, demonstrated his talent for physical comedy in a performance full of pratfalls, spills, and some truly astonishing choreography which he nailed while also belting out lead vocals in the pub scene.

The enchanted castle is staffed by a cast of magical objects with personalities as huge as their dance numbers. They were led by key performers Rylee Burch (9th grade), Abby Cook (11th grade), Bradley Pocock (10th grade), Michael Rogoyski (8th grade), and Jade Wolff (11th grade).

Burch took the role of Madame de la Grande Bouche, an opera performer turned wardrobe whose commanding soprano melodies were as graceful as the unexpected ease with which she handled the complex choreography, as a large piece of furniture. Abby Cook doubled as Babette, the feather duster, and a primary dancer in several villager scenes. 

Also, as a Dance Captain, Cook’s fancy footwork brought energy to the dance numbers and helped maintain the storyline of ongoing flirtation with the debonaire candelabra, Lumiere played by Pocock. 

Pocock was effervescent, delivering over-the-top puns and punchlines in a rococo suit and powdered wig. His scene-stealing levity was in sharp contrast to the curmudgeonly clock, Cogsworth, played by Rogoyski. 

Rogoyski nailed the strait-laced, “tightly wound” timepiece with a pompous but good-natured air and bursts of hilarity and sincerity that brought the character to life. 

Wolff rounded out the troupe, literally, in a huge, willow-patterned hoop skirt, taking on the role of Mrs. Potts, the teapot. Wolff delivered charm, personality, and the iconic title solo. Her smooth, dynamic vocals set the scene for Belle and Beast to fall in love.

The supporting cast of villagers and enchanted objects brought depth to the musical as each performer embodied unique characters such as the baker, pin cushion, farmer, potted plant, tailor, or chandelier. The ensemble pulled in the crowd, filling the stage with energy during the epic musical numbers such as Belle’s opening stroll through town, “Human Again”, and the showstopping “Be Our Guest”. 

The stage crew, led by Estelle Dumuhosky and Maryn Meier, also played a pivotal role in moving the story seamlessly from village to castle and through to the storybook ending.

The Jr./Sr, High School students were joined by several elementary school students who danced their way through “Be Our Guest” as forks, spoons, and dinner mints. Third-graders Austyn Krol and Naylee Robinson share the role of Chip, the teacup. Both young ladies deliver energetic and adorable performances. Also joining the cast are 6th Grade Teacher Ken Rogoyski as the lovable, zany Maurice and Aaron Burch as the menacing asylum manager, Monsieur D’arque.

Byron-Bergen’s production of “Beauty & the Beast” was directed by Alyson Mercedes Tardy, musical direction by Joe Paris, pit band direction by Kevin Bleiler, and choreography by Solange Rodrigues. Congratulations to the cast, crew, staff, and volunteers.

Amidst the stress of rehearsals, learning lines and choreography, and directing 34 people with varied levels of experience, there were welcomed moments of levity tucked into the tension for everyone taking part in “Footloose the Musical,” Director Caryn Wood says.

Take, for example, Batavia High School senior Ephraim Hanna, who is playing the character Willard Hewitt. 

“Just in general, the student that plays Willard is hilarious. In personality, the student himself is very calm and quiet. And a little bit reserved and shy. And then when he goes on stage, he's absolutely hilarious,” Wood said during rehearsals Thursday at the high school. “And the kids aren’t used to doing southern or like country bumpkin-type accents. And so, one of the students who plays Reverend Shaw Moore (student actor Peyton Woeller) has to say the word creek and, of course, pronounces it crick. And a lot of the cast laughs. They think it’s hilarious because they're just not accustomed to that.”

BHS Production Club plans to present the fun and laughter — plus a whole lot of music and dancing — at the Frank E. Owen Auditorium stage at 7 p.m. Friday and Saturday and 2 p.m. Sunday at BHS, 260 State St., Batavia. 

Based on the movie made in 1984, this musical “bursts onto the live stage with dynamic new songs” and celebrates the exhilaration of youth, wisdom of listening to one another and the power of forgiveness, according to its promotional description. 

The story is about Ren McCormack, a city kid who loves dancing as a form of escaping the stresses of life, and he and his mom end up moving to Bomont, a small southern town where Rev. Shaw Moore just effectively banned the activity. Ren and Willard end up befriending one another as Ren also gradually builds relationships with others as they discover they may have more similarities than differences. 

With the title of “Footloose,” it might go without saying that this show includes a lot of fancy footwork, from jazz and lyrical to country line dancing to tap influences. However, it really also means “a lot of choreography and a lot of intense, long dance rehearsals,” Wood said. 

Dance instructor and choreographer Denise Leblanc-Chatt returned again for what has become a longtime relationship of providing her experience and expertise so that students can envelop those lessons and deliver them onto the stage. 

“The kids have no dance experience. And this is a very physical thing for them that they are not accustomed to,” Wood said. “And they have done an excellent job rising to the challenge to bring a ton of energy to this dance-heavy show.”

They have been learning dance steps and practicing since the end of December for about two hours at a time for two to three days a week and for even longer as it grew closer to show time, she said.

LeBlanc-Chatt owns and is head instructor at The Dancing Place Dance Academy in Batavia and has studied the art for the past 50 years.  

“She’s a phenomenal choreographer and dance teacher, and we are lucky to have her,” Wood said. “She does an excellent job of making non-dancers look impeccably energetic on stage.” 

So, most definitely, learning the dance routines in and of itself was a major challenge, she said. But there are always other hurdles to consider, especially when you’ve got a mix of more versed actors and newcomers, which was true of many of the freshmen, sophomore and some junior novice actors, she said.

“I also think that any time you're working with students, especially students who don't have a lot of performance experience but want to be involved, you're really training them physically and emotionally, to deep dive into characters and what are their characters' motivations? Why are they doing this? What are they feeling? What is their physical appearance right now? Making fully well-rounded, fully fleshed-out characters can also be a challenge for a new performer,” she said. “Our cast is made up of kids that had been performing for several years and done a couple of shows a year, and kids where this is their very first show.”

Most of the characters are high school kids, along with some parents, school administrators, and a restaurant owner. Costumes are street clothes, but they had to be plentiful, with characters needing five or six different costumes throughout the show, Wood said. 

If you’re at all familiar with the original movie, you will “definitely hear and see all of those people,” she said. And then some.

“There’s also a lot of additional music and dance numbers added to make it a full musical. I think that the musical version of Footloose stays really true to the original movie but also pulls in influences to make a broader range of shows where it doesn't have to be set in the 80s; it is applicable in its message at any time period. It will always work, and it's very transferable and very, very entertaining, very upbeat and positive and can be explosive with energy at various points,” she said. “Overall, I feel like the message is of healing and forgiveness, definitely forgiveness. I think that there's some characters who are struggling with forgiving themselves and other people for tragic events in their past. And that message of forgiveness and healing through music and dance and relationships is a powerful one. And I think the kids are doing a fantastic job relaying that message.”

Advance sale tickets are $10.50 online, $10 for students/seniors and $12 for adults at the door.

Buy tickets HERE. 

To view or purchase photos, click here.

Photos by Steve Ognibene