music

Whoever coordinated the music to the fireworks, last night, did a fantastic job. 

The fireworks are always fun and the music selection was perfect for the evening.

thanks.

Also, sat with a couple, from California.  They couldn't say enough about Batavia and thoroughly enjoyed the entire experience at the game.  One comment made me laugh, though.  She asked about winters and if we got any snow.  When we admitted that we do get snow, she asked, "How do you go out in it?" 

 


(Spring Flowering)

JOE: Good afternoon Calliope.
CALLIOPE: Good afternoon Joe. Where have you been?
JOE: Carol has a vacation this week. I guess the mood is contagious.
CALLIOPE: I guess so. We were in mid discussion about Grass Roots and you promised to elaborate.
JOE: I did. I was telling you about hearing their song Where Were You When I Needed You on Wednesday night.
CALLIOPE: And?
JOE: They came out with it in 1966, during my first year out of the monastery. It reminded me of feeling like an alien on earth in a culture which had emerged while I was away.
CALLIOPE: Did it bring back memories and feelings about those days?
JOE: In a way, but it didn't through me into chaos as Michael McDonald did.
CALLIOPE: How did you react?
JOE: I quickly moved on to thoughts about all the friends I have developed since then and how much I have learned and grown.
CALLIOPE: So it was a good reaction?
JOE: It was.
CALLIOPE: What's next on your horizon?
JOE: The books I am working on as well as a new awareness of my place in the cosmos and my feeling of responsibility to make the most of it. I'll tell you more next week.

 


(Wagon Wheels)

JOE: Good afternoon Calliope.
CALLIOPE: Good afternoon, Joe. I missed you this morning.
JOE: I was off to a busy start.
CALLIOPE: Doing what?
JOE: Going for a massage, shopping, and manual labor edging the lawn.
CALLIOPE: Are your musical adventures over?
JOE: Hardly.
CALLIOPE: Tell me.
JOE: Last night several of us drove to Finger Lakes Race Track for a concert by the Sky Coasters and then Grass Roots.
CALLIOPE: Go on.
JOE: I have seen Sky Coasters quite a few times, a band from Rochester which plays quite a variety of songs and I always enjoy them.
CALLIOPE: And Grass Roots?
JOE: Another story. I must admit I didn't remember them from the old days, at least until they sang, "Where Were You When I Needed You?"
CALLIOPE: Did that song have some special significance for you?
JOE: It was their first big hit in 1966 the year after I left the monastery and was just getting back into the real world. It brought back memories of those days. I'll tell you more tomorrow.

 


(Coconut Palm)

JOE: Good morning Calliope.
CALLIOPE: Good morning Joe. How are you today?
JOE: Doing well. I got some exercise yesterday morning and went to say goodbye to my brother Bob and his girlfriend Carol who are returning to Hawaii this morning.
CALLIOPE: Any further musical adventures?
JOE: As a matter of fact yes.
CALLIOPE: Tell me.
JOE: Carol takes lessons and is in a traditional Hawaiian Hula group. She performed a couple dances for us last night.
CALLIOPE: Sounds interesting.
JOE: I thought so. It went beyond the typical Luau dancing. She also took time to introduce and later explain the movements of each dance.
CALLIOPE: A treat.
JOE: Indeed. It reminded me of the unbounded creativity across the world.
CALLIOPE: Any personal message for you?
JOE: It encouraged me to continue exploring my own creative side and express whatever you and the other muses might bring me as gifts.
CALLIOPE: Glad you appreciate them.
JOE: I do. Talk with you tomorrow.

(Portuguese Street Tile)

JOE: Good morning Calliope.
CALLIOPE: Good morning Joe. What news today?
JOE: I continued my creative restoration program yesterday.
CALLIOPE: How?
JOE: Carol and I spent the afternoon at her cousin's cottage on Canisus Lake, one of the New York State Finger Lakes.
CALLIOPE: And you relaxed all day?
JOE: For the most part. However the afternoon was punctuated by a musical surprise.
CALLIOPE: Tell me.
JOE: Zack, a thirteen year old grandson of one of Carol's cousin's friends, began talking about his interest in opera. It turned out to be more than an interest.
CALLIOPE: How so.
JOE: He had amassed quite a bit of knowledge about opera, favored Mozart, particularly La Nozza de Figaro and Die Zauberflaut. In mid discussion he broke into song favoring us with several arias from each of his favorite operas.
JOE: How a mature baritone voice could emanate from a thirteen year old boy astounded me.
CALLIOPE: I wish I had been there.
JOE: Some of your more musically inclined sister muses would have been impressed.
CALLIOPE: Perhaps one of them had a hand in drawing him to opera.
JOE: Perhaps. In any case it was a pleasant surprise, bordering on a peak experience.

 

(Path in the Woods)

JOE: Good Morning Calliope.
CALLIOPE: Good morning Joe. Where where you yesterday?
JOE: Now, now.
CALLIOPE: Well?
JOE: If you must know, I was involved in corporal works of mercy.
CALLIOPE: Such as?
JOE: Taking my son to the hospital for cataract surgery.
CALLIOPE: I guess that explains it. Did everything go okay?
JOE: It seemed to. Only time will tell, but the doctor was satisfied with how it went.
CALLIOPE: Good. My regards to your son. Did you get to do anything else yesterday?
JOE: I had planned to work on my writing but got caught up in Michael Jackson's memorial service.
CALLIOPE: I didn't know you were interested in him.
JOE: Frankly I had trouble getting past his weird lifestyle and self mutilation.
CALLIOPE: And did you finally?
JOE: I did and discovered that I like his music once I can put aside my judgment of his way of life. Talk with you tomorrow.

(Troubled Times)

JOE: Good morning Calliope.
CALLIOPE: Good morning Joe. Are you feeling better than you did yesterday and did you resolve your musical dilemma?
JOE: Yes on both accounts. Resolving my dilemma improved my mood.
CALLIOPE: Tell me about it.
JOE: I told you I woke up yesterday with my reaction to Michael McDonald still on my mind.
CALLIOPE: You did.
JOE: I started to consider my emotions. I realized I felt sad, on the verge of tears, angry and resentful.
CALLIOPE: Do you hold Michael responsible for all that?
JOE: Of course not. I remained puzzled until on the way to the gym I recalled something I told Carol the night of the concert.
CALLIOPE: Which was?
JOE: That his type of music constantly grated on my nerves at a practice where I worked in the early 1990's. I found the type of music annoying then but did not associate Michael McDonald with it.
CALLIOPE: Just annoying?
JOE: No. The owner of the practice insisted on playing music which I considered bland and insipid at best. When one of us worker bees changed the station to jazz or classical music, he would change it back which I saw as a symbol of his control.
CALLIOPE: And that's the connection?
JOE: Not entirely. That was a very difficult time for me professionally, financially and in my marriage of the time. Altogether bad memories. That's the connection. I'm glad I discovered it and now will work to put it to rest. Talk with you on Monday.

 
(Bonerama)

JOE: Good morning Calliope.
CALLIOPE: Good morning Joe. How are you today?
JOE: A little weary.
CALLIOPE: On what account?
JOE: Last night's fairly late night at the Rochester International Jazz Festival.
CALLIOPE: Sounds like fun.
JOE: It certainly was. This was our second visit to the festival.
CALLIOPE: What did you see?
JOE: First were several local jazz groups on one of the free stages.
CALLIOPE: And then?
JOE; Soul Stew, a group from Toronto which lived up to its billing as a top notch soul combo.
CALLIOPE: Was that it?
JOE: No. We tore ourselves away to see Bonerama in the big tent, a trombone group from New Orleans we had seen before. They also put on a great show.
CALLIOPE: Do you plan to give up writing and spend your time watching music performances?
JOE: Don't be jealous of your sister muses. I'm not abandoning you but am enjoying some time with other creative pursuits. I'm back to my writing work today. Talk with you tomorrow.

From Music Education Centers:

Music Education Centers at Uncle Andy's Place is a privately operated organization, dedicated to providing personalized, adaptive musical instruction for students of all ages and abilities; especially those with Autism Spectrum Disorder, Down Syndrome and other developmental or learning disabilities. 

Realizing that finding support, understanding and community resources is at times difficult, Music Education Centers provides individuals with another avenue of communication and development.  At Musical Education Centers, the instructors know the importance of working one on one with the students in order to establish a fun, friendly learning environment where students can feel at home while they expand their horizons and develop new skills or uncover hidden talents.

Music Education Centers opened in 2004 under the name Uncle Andy’s Place Music Studios.  Founder and Owner, Christian Schenk, has dedicated the past five years developing the studio into a business that can support the needs of the whole community and not just a few members.  The diagnosis of his son in late 2007 has energized the spirit of a life’s mission that began 12 years ago when he began working with Autistic children in the Greece Central School District. 

The goal of Music Education Centers is to fulfill unmet service needs of the community. Recently, they received many inquiries about community-based group lessons and classes, prompting the development of a new program called Music to You, in which our instructors go to different communities to bring musical activities to those in school, daycare or group-home settings.

At the Webster, NY Location a staff of experienced and caring professionals offer personalized private lessons and group classes to those residing in the Greater Rochester Area.  As of January first, the Music to You Program is available in the Batavia area. 

More information about our program is available on our website, www.MusicEdCenters.com or by calling 585-671-7926.

From Genesee Community College:

Arguably the most relevant blues artist of our time (Guitar Player magazine), Otis Taylor brings his unique instrumentation and sound to Genesee Community College on Saturday, February 7 at 8:00 PM in the Stuart Steiner Theatre at the Batavia campus. Now promoting his latest album, Recapturing the Banjo, this critically-acclaimed singer and songwriter captivates audiences with his original music and poignant storytelling.

Taylor was born in Chicago in 1948 to a family that embraced music and was surrounded by jazz performers and musicians. After the death of his uncle, his family moved to Denver where he was allowed to let his love of blues and folk music blossom. Taylor learned to play guitar and harmonica, and by his mid-teens was performing in his first band. He went on to perform in London, but soon returned to the United States in the late 1960's to work on many musical projects with various blues artists. In 1977, Taylor decided to take a break from the music business and went on to be a successful antiques dealer, as well as coaching an amateur bicycling team.

After much persuasion from his fellow musicians, Taylor returned to music in 1995. He released his first album two years later, titled Blue Eyed Monster, which the blues world embraced and admired. Now promoting his eighth album, Recapturing the Banjo, he is part-musician and part-storyteller taking his audiences on an emotional journey of truth and relevance in history. His original lyrics and haunting voice weave a story of pain, joy and the human condition.

"Bringing Otis Taylor to Genesee Center for the Arts continues the College's long-standing tradition of hosting some of the world's best blues artists," Frank Mayo, professor of speech and theatre arts said. "Genesee's Stuart Steiner Theatre is a perfect venue for this kind of performance offering exceptional acoustics, as well as an intimate setting. Western New York is in for a real treat."

Besides being an award winning singer and songwriter, Otis Taylor finds time to give back to the communities that support music in children and young adults. Taylor, along with his wife Carol, have taken on a Blues in the School program called "Writing the Blues." The program consists of visits to schools and universities around the country to advise, enlighten, motivate and educate about the blues. Taylor now resides in Boulder, Colorado with his wife and two daughters. For further information on Otis Taylor or press photographs, visit www.otistaylor.com.

One performance is scheduled for Saturday, February 7, 2009 at 8:00 PM in the Stuart Steiner Theatre at the Batavia campus. General admission ticket prices are $10.00 for adults and $5.00 for students, senior citizens and Genesee faculty/students. Members of the Western New York Blues Society will receive a $2.00 discount by showing their current membership card.

For ticket information or reservations, contact the Genesee Center for the Arts Box Office at (585) 343-0055 x6814, or by email at boxoffice@genesee.edu. The Genesee Center for the Arts Box Office accepts cash and checks only; credit cards are not accepted. For door-to-door directions, sent via email, visit www.genesee.edu.