music

You learn a lot about great dead composers in music class -- Bach, Mozart and Beethoven, etc.

The kids at John Kennedy Elementary School got a lesson that's a little different this year: learning about a living composer who doesn't live too far from Batavia!

Mark Hijleh, Ph.D, a Houghton resident and professor of Music Theory and Composition at Houghton College, has written many musical pieces in the last couple of decades. These include scores for short films made at the Rochester Institute of Technology. Some of his music is available online, including the piece that John Kennedy School's music teacher, Jeffrey Langdon, chose to share with his students.

"When [Langdon] realized that I lived close by," Hijleh said, "he asked me if I would come in and speak to the kids."

Hijleh is no stranger to the Batavia area. He conducted the Genesee Symphony Orchestra in 1997, and his wife -- also a Houghton professor -- had James Schmeider as a voice student. Schmeider had leading roles in a number of summer theater productions in Batavia.

Hijleh was kind enough to sit down with The Batavian for a Q&A session, in addition to answering students' questions.

Q&A with THE BATAVIAN:

Q: What led you to become a composer?

A: I started with music lessons when I was a kid. I was about 7 when I asked my parents if I could learn to play the piano. Then about five years later I got real serious about it. I started to hear music in my head, and I experienced strong feelings that I wanted to share [through music]. I got a lot of support as my musical interest and talent developed. My high school band director encouraged us to be creative, and my piano teacher helped me out when I started to write my own music.

Q: Did your parents ever say anything like, "Are you sure you don't want to be a doctor?"

A: Good question. Actually, I had very supportive parents. My dad was a computer programmer, but he had always wanted to be a musician. My mother, who was a teacher, was also someone who appreciated music. And I was an only child, so they could afford to support my efforts. I did think about being a lawyer, actually. But then I came to realize that we each have our own calling, our own talents and interests, and this was mine.

Q: Music programs are often prime targets when it comes to budget cuts. Based on your years of experience, do you think music has any practical value that makes it worth funding?

A: The cost question is not inconsequential. Frankly, I think that part of the concern, as far as cost goes, has to do with the question of whether or not music education is relevant to contemporary culture -- more specifically, of whether or not it effectively prepares children for life in an increasingly global society.

Up until about 30 ago, music classes focused almost exclusively on Western Classical music. And there's a lot to be said for Western Classical music, but the relevance of music education becomes questionable when it focuses on one narrow category. But I have seen music education become more progressive in recent years. Teachers and students are discovering a whole world of inspiring and powerful music from many different cultures, and they've come to understand that different forms of music can't be judged by the exact same standards.

As society has become more global, we have proven that music is a good way to help different cultures connect with each other. Every human society has music -- none that we know of don't have it. And there are a lot of things that some cultures don't have, but music isn't one of them. It's relevant to all cultures and absolutely elemental to the human spirit. By helping kids understand the importance of music, we can help them to understand the ways in which what they're listening to on their iPods -- and how they're listening to it, for that matter -- can relate to their lives and influence their decision-making.

Q: What composers have influenced you the most?

A: If I had to narrow it down I'd mention two composers. One is Olivier Messiaen, a French composer who lived from 1908-1992. He contributed greatly to the field, both in terms of the development of musical language and its connection to spirituality. The other is John Williams, the film composer. He's been heard all around the world, probably more than any other composer because of the universal presence of film. I've learned from his ability to both make his music interesting in terms of content and make sure it communicates effectively.

Q&A with STUDENTS:

Q: What does it feel like to be a composer?

A: It's very exciting, but also a little scary because you're sharing inner feelings and thoughts with people and you don't know how they'll react. But it feels really good when people like your music! So it's a risk and a reward to communicate musically.

Q: What inspires you to be a composer?

A: I have music going on in my head all the time, and also in my heart, and it just has to come out and be shared.

Q: What's your favorite song that you didn't write?

A: Honestly, there are so many I just can't choose!

The Houghton Philharmonia Orchestra will play one of Hijleh's pieces, an Arabic-inspired work called "Sama'i Hijaz al Hijleh," in a 7 p.m. concert tomorrow at Attica High School.

Last week, when the Grammy nominations were announced, the category for Best Country Instrumental Performance included the song Under The (Five) Wire, by Alison Brown.

Now, that may not mean much to most readers of The Batavian, but it means a lot to the Bohn family of Batavia.

The audio engineer on the recording was John J. Bohn, a 2003 graduate of Batavia High as well as a 2006 graduate of the Conservatory of Recording Arts and Sciences. 

Roger Bohn tells us that John lives in Nashville with is wife and son.

You can hear more of John's work on his MySpace page.

Down to Earth Approach, a rock band that landed the coveted record deal, released two CDs, toured all over the country, and won over more than a few fans, was formed in Batavia a decade ago.

The band hasn't played together since 2007, but for tonight they've booked a reunion show at (the former) Main Street Coffee.  Tickets are $15 at the door and 10 percent of the proceeds will be donated to the Salvation Army.

The video above is from a previous show at Main Street Coffee.  There's more videos of the band on YouTube, including the fun one at the bottom of this post.

Pete Metzler, an original member of the band, e-mailed us this history of the group:

I, along with the other 4 members of the band are Batavia natives. We formed  in 2000 and after about a year or so we decided to go for it, and all dropped  out of college. We then packed up and moved to Los Angeles. We lived out  there for a couple years playing shows and trying to make a name for  ourselves and in late 2003 we signed a record deal with Vagrant Records. In  August 2004, our first record 'Another Intervention' was released. At that  point we commenced what turned into almost 4 years of touring the US and  Canada regularly. Over this time we played about 350 or 400 shows all over  the country including the entire Vans Warped Tour 2006. In 2007 we released  our second record 'Come Back to You'. Unfortunately life started to catch up  with us and we decided to call it a day right after our 2nd record was  released.

Here's the band's MySpace page, and more about the band on their record label's site.

Besides Metzler, band members include: John McCampbell, Daniel Shepard, Ryan McClurg and Jonathan Lullo.

Also on the bill tonight, The Hoodies and Justin Reynolds.

We introduced Tyler Barrett as a young, local aspiring fiction writer some time back. Tonight, he sent a long a link to this video of him playing piano. The song he's playing is "Lux Aeterna,"  from the film Requiem for a Dream.

If you’ve ever driven down Center Street, I’m sure you’ve noticed the garage next to the Smoke House painted as a “Fire Headquarters.” This garage has just recently become the newest spot for local bands to perform.

Hosted by Glass Roots next door to it, the venue's third show took place Friday night. It's open to artists of all types and Friday’s show featured three very different genres of music. 

First to perform was Greengage, a local jam band with a reggae influence. Then, the duo known as Davey O. played a set of acoustic folk rock. Lastly, Steve Ditzel, a Batavia resident, took the stage with his turntables and got the crowd moving to his electronic beats. 

The show started around 7:30, drawing a large crowd of highly diverse people and ran up until last call for drinks. There was a 50/50 raffle, too. While there's no firm schedule for future events, Glass Roots shop owner Jeremy Almeter says that there will be more shows and to stop by for more details.

 

My morning started at the Pok-A-Dot. Just as I sat down, so did another couple and the lady happened to mention she was visiting from California. Well, that caught my ear for sure. "Where are you from?" I asked.

"Temecula."

"Oh, one of my best friends is a math teacher in Temecula. I grew up in San Diego."

"What brought you out here?"

"The weather."

After she picked her jaw up off the countertop, we started chatting. It turns out she's a singer. You might have known her as Debbie Chamberlain. Now she performs as Debbie Voltura.

Debbie is in town for her daughter's wedding today.

After a while, Bill McDonald, on the right, above, walked in and the two musicians with deep roots in Batavia greeted each other warmly. Debbie asked her manager Marc Gabriel, left, to go out to the car and get a copy of her latest CD, "Live on Broadway."

Bill said, "This lady can sing." And can she. Check out some of the song samples here.  If you like swinging jazz, as Billie and I do, you'll love Debbie's music.

More from the OHMS Band here.

Pat Tehan sent us the links with this note:

I hope you don't mind this shameless self-promotion - I'm the piano player in The OHMS Band.  We played at Jackson Square on July 31 - the weather cooperated for once this summer and we had a good crowd because of it.  Melissa Eddings Mancuso videotaped it and made DVDs for the band - her husband, Bill Mancuso, played organ.  I posted 15 of the songs to youtube, I thought that some of your readers might enjoy it if they were there.  Some good crowd shots in the videos...  Guys in the band are Anthony DelPlato (drums, vocals), Charlie DelPlato (electric guitar, vocals), Chris Bartz (acoustic guitar, lead vocals), Joe Palmer (bass), Bill Mancuso (organ), Pat Tehan (piano)

We're always happy to promote local music.

Bill Kauffman has a post over at Front Porch Republic about finding great localist/regionalist songs, songs that celebrate place and home.

He leads off with this wonderful piece by Iris DeMent.

Which I'd never heard before.

He includes this classic by The Pretenders.

What a simple, angry song about paving over of our cities and rural lands by chain retailers, destroying the heritage of communities all across the country.  Chrissie Hynde sings about Ohio, but I always associate this song with my former hometown, El Cajon, Calif., which has something in common with Batavia -- a downtown pretty well damaged by urban renewal, though El Cajon was left in much worse shape.

The other classic anti-urban renewal song comes from a Brit, Ray Davies, and The Kinks.

But not all great localist songs lament what used to be. Some great ones celebrate home, like CCR's "Looking Out My Backdoor."

The first week I moved to New York from California, one of my favorite music artists, and there's no pretense in calling him an artist, Dave Alvin released a new CD of songs by California songwriters writing about California.  The first time I heard "California Bloodlines," I couldn't help but tear up.

The song was written by John Stewart and you can see him perform his version here.

I could do a whole post of Dave Alvin "California" songs, going back to his early days with The Blasters.

The last place in California I lived was Bakersfield, which is the subject the classic, "Streets of Bakersfield."  You know that song was written by somebody who lived in Bakersfield for a long time, as it opens up with the perfect conundrum that describes Bako: "You don't know me, but you don't like me / You say you care less how I feel ..."

Bakersfield got slammed pretty good by this local rap due in "Armpit of the State."

The last song to share is another classic picking on Bakersfield's less positive attributes, "Kern River."  That river claims five or six lives every year. 

OK, one more Merle Haggard song, because it takes me back to a time when I lived in a big city and longed to move to a small town ... and I finally made it when I arrived in Batavia.

Do you have any favorite localist songs, songs of place?

To post a video in your comment, use a bracket "[" and then the word "video" followed by a colon ":" then the URL to the YouTube video, then close bracket "]"

Like this (but with no spaces) [ video : http : //www.youtube.com/watch?v=T_q0WJJKFxA ]