Photo of GCC's Stuart Steiner Theatre courtesy of genesee.edu.
Press Release:
What: GCC's Forum Players Present: The Thanksgiving Play by Larissa FastHorse.
Where: Performances in the Stuart Steiner Theatre
When: Nov. 16, 17, 18 @ 7:30 p.m. and Nov. 19 @ 2 p.m. The play is approximately 90 minutes long.
In Larissa FastHorse's hilariously funny satirical play, positive intentions collide with absurd assumptions. As a terminally "woke" teacher, Logan, a high school drama teacher/ actor, enlists the help of some interesting characters: Caden, an elementary school history teacher (frustrated, inspiring Playwright and Actor). Jaxton, a yoga practitioner/actor (politically correct to a fault), and Alicia, a simplistic actress (who has a knack for being painfully honest), scrambles to create a school pageant for children that somehow celebrates Turkey Day and Native American Heritage Month, or do they? Find out when you join us on the journey that is The Thanksgiving Play.
Larissa FastHorse (Sicangu Lakota Nation) is a 2020 MacArthur Fellow, award-winning writer/choreographer, and co-founder of Indigenous Direction, the nation's leading consulting company for Indigenous arts and audiences. Her satirical comedy, The Thanksgiving Play (Playwrights Horizons/Geffen Playhouse), is one of America's top ten most produced plays. She is the first Native American playwright in American theater history on that list. The play recently had a short run on Broadway, being the "critics pick" in the New York Times.
The Thanksgiving Play is a relatively new piece, having first been performed in October 2018 off-Broadway at Playwrights Horizons in NYC. This past spring, The Thanksgiving Play played on Broadway from April 20 through June 11. We are excited to have such a new and critical play being produced at GCC.
Jaime Arena is directing The Thanksgiving Play for her second time; last year she directed the play at SUNY Geneseo. Brodie McPherson is the production designer. Current GCC student Jeriko Suzette is Assistant Director, and Cass Dzielski is the Stage Manager for the production. The show features GCC students Lauren Ruch, Tony Haitz, Qasim Huzair and Isabella Wheeler as the four instructors longing to create a politically correct Thanksgiving Pageant.
Director Jaime Arena wanted to approach this play with compassion for the Native American tribes and their history. She didn't want to lose the satirical aspect, while wanting to give voice to those at the center of the story. Jaime enlisted Karlie Jones, who is Cayuga, to help. "Director Jaime Arena and I have been longtime friends since 2005, and she asked for my input/direction on this piece. Not much is needed to give - Larissa FastHorse hits all the right notes, showcasing a "woke" society wanting to help minority groups in the best way possible and navigating their way to the best answer. Giving space for us to be heard and proving appreciation without appropriation is possible. The conversation of our cultural stereotypes must be heard; this play gives us a chance to voice the current climate of our Indigenous struggles." -Karlie Jones, Cayuga Nation
"I took the same script and reimagined it by adding and subtracting what I did at Geneseo with the same sole purpose, which is to have the audience leave the Stuart Steiner stage after the performance able to understand; it is not our job to speak for any other culture but to stand beside them and have their back as they speak their truth. To me, that is the true definition of an ally." -Jaime Arena, director
Please be advised that the play includes moments depicting historical violence.
Tickets can be purchased on the Genesee Community College website under the 'Center for the Arts' tab: https://www.genesee.edu/campus-life/center-for-the-arts/ General admission is $10. Qualifying discounted tickets (GCC staff and faculty, seniors 55+, children under 16, non-GCC students) are $5. Admission is free for GCC students who present their ID at the box office. Please contact the Box Office with any questions. boxoffice@genesee.edu or call (585) 343-0055 x6490.
Thursday, September 28, in the Stuart Steiner Theatre from 6 - 7 p.m. Musician and Educator Haley Moore will present a lecture and play Appalachian music from the 1920s. The presentation and performance are based on Jeannette Walls novel "Hang the Moon."
Listen to music that was popular during the time and hear all about the story of an indomitable young woman in prohibition-era Virginia. The presentation will be both educational and entertaining and is free and open to the public.
Richmond Reads is a community one-book program designed for the Richmond Memorial Library community. Each year, a committee selects a book and builds programs around the selection, culminating with a visit from the author. The 2023 selection is "Hang the Moon," the latest publication from New York Times bestselling author Jeannette Walls. This year's events include historical programs, book discussions, a film screening, and more.
The library is excited to partner with Genesee Community College and Batavia High School as they incorporate "Hang the Moon" into their curriculum and participate in a student book review contest. Richmond Reads is generously sponsored by The Friends of Richmond Memorial Library.
Valerian Ruminski’s talent has been appreciated for decades, and even as a young boy at St. Andrews in Buffalo, if there was any time left toward the end of the day, his biggest fans would make a request.
“The nuns would say, ‘Marty, sing us something.’ Marty was my real name, Valerian was my father’s name so I took that as my stage name, so they’d say, 'Marty, oh, sing us something,' I was always singing at the drop of a hat when I was a kid. I never thought that it was gonna be a career,” the veteran singing basso contante said during an interview with The Batavian. “But as I got a little older, I went to Canisius High School and was in the choir, and then when I was a senior, my teacher took me aside and said, you know, he says, out of the hundreds of students that I have, every couple of years one comes along that I have to tell them that they should pursue a career in music. And you're the one … he was strongly advising me that I had, you know, ample talents in that area.”
And, although Ruminski didn’t exactly follow the path to classical fame he’s now known for decades later (he was waylaid by an Alaskan fishing boat adventure), he has several accolades under his belt, including performances at Carnegie Hall, Orlando Opera, Danish National Opera, Geneva Light Opera, New York Symphonic Ensemble, Lincoln Center, Calgary Opera, Pacific Opera Victoria and Pasadena Opera, to name a few.
Soon the artistic director and founder of Nickel City Opera can add one more venue to his repertoire. He will be bringing — and playing the lead — in “The Barber of Seville” at 7 p.m. Monday at Stuart Steiner Theatre, 1 College Road, Batavia.
When the truck rolls up to deliver, this show promises a 21-piece orchestra, veteran actors, polished sets — doors, walls, props, costumes, makeup, wigs — and a completely professional set-up for the most famous comic opera in the world in the last 200 years, Ruminski said.
Before jumping straight into the show, The Batavian asked Ruminski about his detour to Alaska when he was supposed to be attending college back in the day.
“Yeah, I lived on a boat. I worked at a fishing cannery for about a year when I was 19 - 20 years old. I wanted to get away from it all, I wanted to have a band. You know, I had a techno band, like Depeche Mode. And I wanted to buy equipment for that, and my friend said we could work on a fishing boat, and we could make a lot of money in that summer,” he said. “So we didn't make lots of money. We made some money. And I bought a 63 VW microbus, and I drove down to Los Angeles, and I lived on the beach. And sort of had a wandering night and 20-year-old-adventure, and then eventually came back to Buffalo, because my teacher from high school said you should come back to Buffalo and get a free education at Buffalo Opera Chorus… and you can start singing, so that's what did it, so I came back.”
He took voice at the University at Buffalo and was put into Buffalo Opera Chorus, taught by the director of the company, and then was accepted into Philadelphia’s Academy of Vocal Arts, where “you’re like one of the few hundred people that gets chosen every year to go there,” he said.
“And I made my Met debut the year after I graduated from the academy,” he said.
At 29, he was an apprentice for the Santa Fe Opera and was hired to do a show in New York City. While there, a woman from the Met was there with a man scoping out Placido Domingo. They were later asked what they thought of Domingo’s performance. They liked him, Ruminski said, but wanted to know, “who’s the Russian bass?”
Valerian Ruminski in character, courtesy of his website
“They like that,” Ruminski said with a smile in his voice. “And I've constantly gotten jobs singing in Russian because my name is Valerian Ruminski. And they think that I'm Polish or Russian, but I'm as American as can be. But they hire me for these jobs because the marquee looks good … they put me on the top of the marquee, and they said they didn't want a guy named Johnny Smith on the top of the marquee because all the other singers were from Russia.”
He doesn’t argue that misperception, as it “gets me jobs,” he said. Of course, if the name was an empty vessel, there wouldn’t be the resume that exists for Ruminski. His performances have met with many favorable reviews, including from critic Oliver Munar:
"As Prince Germin in the final act, bass Valerian Ruminski turns in a standout performance. Ruminski’s vibrant voice filled the auditorium with a warmth and sensitivity that underscored his character’s love for Tatyana. On this night, Ruminski offered a truly endearing portrayal that elicited one of the warmest responses for the performance."
And from Kenneth Delong:
"In vocal terms, an excellent moment came in Valerian Ruminski’s great final act bass aria, which was delivered to excellent effect and with a commanding voice. It was an outstanding moment in the production."
For “The Barber of Seville,” Ruminski is to play Bartolo, whose house is set in a public square surrounded by a band of musicians and a poor student named Lindoro, serenading through the window of Rosina to no avail. Lindoro is really the young Count Almaviva in disguise, hoping to make the beautiful Rosina love him for himself and not his money. Rosina is the young ward of the grumpy, elderly Bartolo, and she is allowed very little freedom because Bartolo plans to marry her once she is of age and thus appropriate her considerable dowry.
Described as a plot of bribery, deception and disguise in which Figaro needs all of his wiles to help the Count outwit Bartolo and ensure true love wins the day, this opera is “a feast of frivolous fun.”
A portion of it was even featured in a Bugs Bunny cartoon because of its popularity and being a cultural classic, Ruminski said. Oh, and it’s a hoot as well.
“They were made in the late 50s, early 60s. And that's back when there was actually culture in people's lives, and people knew what the Barber of Seville was and that it was a common thing. Even children knew what the Barber of Seville was about, and that disappeared. It doesn't exist anymore. But back then, you know, they even made cartoons with Bugs Bunny and Elmer, but with the music from Bach,” he said. “I mean, they made a couple of those opera cartoons, and people remember them. They became very famous because they're so smart and funny, and striking. And artistically, you know, the animation was fantastic. So that's why I mean, it made a lasting impression. I think the last generation, you know, they remember those things."
“That’s why there’s a bunny on the poster so that people know it’s a comedy,” he said. “When they hear opera, they think someone is going to die.”
What percentage of your roles would you prefer to do something more comedic than serious? “It's really a difficult question because it's fun to do. Obviously, the comedic role, it's harder to do, the comedy is always harder, and you have to plan comedy. You have to have everything as precise, as precision is involved, and there's repetition and all that was much harder to do most of the comic roles than it is to do a serious role where you just run in and stand there and sing something. And there's just a dramatic moment, and you don't have to worry about doing the job or getting the bit across. I prefer to sing. I am a basso contante. That's my voice category, I'm not a goofball,” he said. There are some basses who only sing comedy because their voices are not pretty … I do have a pretty voice. And I can sing, I can sing things very beautiful. So I liked singing these more dramatic roles, where it calls for beautiful lines like a lot of the French repertoire calls for beautiful singing. So the problem is that it's harder to find a comic bass, there's not so many of them around. But I do have a flair for the comic, and I enjoyed doing the comic, I'm giving you a very nuanced answer I know. But yes, I enjoy singing the comic roles. When I get them, of course, I attack them, just with the same amount of intensity as I would any other role. And I do my job. And the Barber of Seville is a very difficult role with one of the primary buffo comic bass roles.
“This started the French Revolution, it stuck a pin in the aristocracy,” Ruminski said. “There’s a chain of silly situations, multi-layers of not just comedy, but a work of art.”
Performers are flying in from Guadalajara, Mexico, San Diego, and New York City, directors from New Jersey and one from Bulgaria. Musicians are being culled from Buffalo Philharmonic Orchestra. And 300 lucky patrons will have the opportunity to see this special production unfold for two hours on a Monday evening.
Of all the audiences Ruminski had performed before, he had a particularly special one more recently after he met his biological mother for the first time. It was at Our Lady of Victory Basilica Church in Buffalo with a crowd of some 1,400 people. It was “bittersweet,” he said because he wished she could have seen him at the top of his career at Carnegie Hall, Lincoln Center, and the like.
He has also reconnected with his biological father, and both connections have given him a whole new family when he was otherwise left with no one in the Buffalo area.
He originally planned to leave Erie County and live more permanently in Palm Springs, Calif., where he now stays part-time during the year.
“So now, for the past three years, I've been getting to know my parents. They're both in Buffalo,” he said. “And so my plan to abandon Buffalo was abandoned. I abandoned my abandonment plan.”
And as far as opera is concerned, he has made singing debuts all over the world for 25 years and has gotten into producing more lately, including more contemporary works such as operas based on Stephen King, It’s a Wonderful Life, Sunset Boulevard, Casa Blanca, something “contemporary and relevant to our modern sensibilities,” he said.
He has been recording pop CDs under the label Impresario to feed that other part of his soul hungry for the Depeche Mode era. The pandemic allowed for more time to work on that project, which evolved from writing his own compositions, playing on piano and later singing with a virtual drummer.
For his birthday recently, his wish was to record in a studio.
“Because I want to lay down vocals, and I’m working on one of my songs. That’s my treat,” he said. “That’s my secret passion, that I enjoy doing it and making songs, and I put them on YouTube and all that.”
The GCC Forum Players are excited to present Moliere's "Tartuffe," translated into English verse by Richard Wilbur. Performances will be held February 9-11 at 7:30 p.m. in the Stuart Steiner Theatre at Genesee Community College, 1 College Road, Batavia.
The show follows the chaos surrounding the titular character who completely entrances Orgon, a wealthy patriarch, into giving away his fortune, his family and even some dangerous secrets. Will the family reveal Tartuffe for the scoundrel he is or will Tartuffe take hold of the estate and ruin this family forever?
Originally written in the 1600's, "Tartuffe" was condemned for its unflinching takedown of religious hypocrisy and the odd behaviors of the upper classes. This production, set among Miami's elite of the 1980s, takes a skewer to televangelist con artists, clueless yuppies, corporate greed, and unending consumption, all to the sounds of new-wave synth-pop.
GCC Forum Players "Tartuffe" Cast List:
Kassi Carlson as Orgon
Claudette Hill as Elmire
Cameron Liedmann as Cleante
Cass Dzielski as Dorine
Marc Sapareto as Damis
Jocelyn Coburn as Mariane
Gyandro Marselia as Valere
Anthony Haitz as Tartuffe
Lauren Ruch as Mme. Pernelle
Bella Wheeler as Flipote
Chris Hansgen as Laurent
Ophelia Walton as M. Loyal
Jeriko Suzette as Officer
Production Directed and Designed by Brodie McPherson
Producer: Maryanne Arena
Box Office Assistant: Jessica Skehan
Dance Captain: Tiffany Smith
Tickets are available at the door and online. The Genesee Center for the Arts Box Office accepts cash, checks and card payments. Seating is first-come, first-served and there is no assigned seating when purchasing tickets. Ticket prices are as follows:
$10 General Admission
$5 for GCC faculty/staff, seniors 55+ and non-GCC students
Admission is free for GCC students with student ID
The play features comedic violence, sexual situations, and illicit substance use. Tartuffe is not appropriate for children under 16.
Most Western New Yorkers are sad to see the summer ending -- but the fall season brings comedian Samuel J. Comroe, finalist on NBC's hit show America's Got Talent, to the Stuart Steiner Theatre at Genesee Community College on Saturday, Sept. 28 at 7:30 p.m. for a performance of his "I got 99 problems...but a twitch ain't one" tour!
Comroe's comedy, which is for mature audiences only, is based on the trials and tribulations of living with Tourette Syndrome. A native of Los Angeles, he performs widely each year from Las Vegas to San Francisco, at colleges and universities across the country. He also has more than 40,000 subscribers to his YouTube Channel.
Seating is limited and tickets are available now at boxoffice@genesee.edu or (585) 345-6814.
In October, GCC's Forum Players will perform their biggest show of the season -- Richard O'Brien's The Rocky Horror Picture Show! On Thursday, Friday and Saturday nights, Oct. 17, 18 and 19, the show will begin at 7:30 p.m. and the final performance will be a matinee Sunday, Oct. 20, at 2 p.m. All four of these performances, which are for mature audiences only, will take full advantage of all the high-tech sound and lighting equipment at the state-of-the-art Stuart Steiner Theatre.
The full scene and costume shops will offer dynamic sets, costumes and the outlandish regalia that Rocky Horror fans look for. The talented and enthusiastic Theater Department is already busily preparing for this performance. For a little extra fun, specially prepared Prop Bags will be available for use during the show for just $5 -- while supplies last -- and can be pre-ordered from the box office. No other props will be allowed in the theater.
Tickets to see Samuel J. Comroe or The Rocky Horror Show at GCC's Stuart Steiner Theatre are $8 for adults, and $5 for seniors (55+) and students (16+) and GCC faculty/ staff. GCC students with ID are $3, and GCC alumni with ID will receive a $2 discount on an adult ticket.
To reserve seats, contact the GCC box office at boxoffice@genesee.edu or (585) 345-6814.
Genesee Center for the Arts offers something to appeal to the art lover in everyone and the Fall Season is no exception. The Rosalie "Roz" Steiner Art Gallery will host the following exhibits to distract and inform your mind, appeal to your senses and evoke a variety of emotional responses.
Artist: Bruce Adams
On display until Sept. 21
"Untitled" -- Adams is best known as a conceptually based figurative painter who references various painting styles. In exploring the act of painting, Adams peels back the layers of meaning inherent in art making and viewing.
Artist: Nigel Maister
On display Oct. 1 - 31
Artist Talk: Oct. 10 at 12:30 p.m. with receptions at 1 and 5 p.m.
"tight. word. lit." -- Through the pairing of unrelated photographic images, Maister creates a narrative both implied and explicit and manifested in emotional, formal, aesthetic, intuitive and intellectual expression, and an evocation of action.
Artist: Heather Jones
On display: Nov. 12 - Dec. 12
Artist Talk: Nov. 14 at 12:30 p.m. with receptions at 1 and 5 p.m.
"M is for Mindful" -- This exhibition highlights acrylic paintings by GCC Professor of Fine Arts, Jones, created as illustrations for the book "M is for Mindful." Including a playful narrative that guides children through an exploration of the themes that shape the way we think and live, "M is for Mindful" is a nature-based ABC/poetry picture book written by Robin L. Flanagan.
The Roz Steiner Art Gallery is open to the public Wednesday through Friday from 9:30 a.m. to 4 p.m. The gallery is also open during special events as published here. Admission is free. For more information, contact Gallery coordinator Mary Jo Whitman at (585) 343-0055, ext. 6490, or via email: mjwhitman@genesee.edu.
The Genesee Center for the Arts at Genesee Community College is pleased to announce the calendar of spring events for its 20th season at the Stuart Steiner Theatre. The Center for the Arts is proud to bring in a jam-packed schedule with a variety of artists and productions to the community at large.
Live Performances in the Stuart Steiner Theatre:
"Extremities" by William Mastrisimone, staged by the Aegis Project of Buffalo, for one performance at 7:30 p.m. on Thursday, Feb. 16. The Aegis Project is an initiative to raise rape awareness through theatrical productions on college campuses throughout the region. Tickets are $3 for all ages and all proceeds go to the Aegis Project for local rape awareness projects. Please note this production is appropriate for ages 16 and over.
Hailed as "WNY's Father of Country Music," Ramblin' Lou brings his Family Band, to the Genesee Center for the Arts for an afternoon of classic country music beginning at 3 p.m. on Sunday, Feb. 19. Tickets are $10 adults, $8 seniors (55+), $5 students and GCC faculty/staff, $3 GCC students with valid ID and $2 discount for GCC alumni with alumni card.
Genesee's Forum Players present "God's Favorite," a Neil Simon comedy, at 7:30 p.m. Thursday through Saturday, March 29 - 31, with a Sunday matinee at 2 p.m. on April 1. Directed by Maryanne Arena, this is a modern tale, loosely based on the Book of Job, in which God and Satan make a bet, and God puts his trust in Joe, a wealthy businessman living with his family in suburban Long Island, to keep his faith. God's messenger, sent to test Joe's faith, is a wisecracking guy from Queens. Simon poses questions about life, but never loses his sense of humor! Tickets are $8 adults, $5 seniors (55+), students, and GCC faculty/staff, $3 GCC students with valid ID. No children under the age of 5 permitted. Please note that this production is appropriate for ages 16 and over.
The Genesee Center for the Arts continues its commitment to introducing performing arts to children, families, and schools throughout the Western New York area with "The Princess and the Goblin" by Stuart Paterson, a magical tale of young Princess Irene finding the strength to take on the world. Packed with fun and adventure, it's a rich and magical play for the entire family! The Genesee Forum Players featuring GCC students as the cast and crew, and Norm Gayford, GCC English professor will be directing. Daytime performance dates are scheduled for Wednesday, April 18, Thursday, April 19 and Friday, April 20, with invitations sent to all the local schools. There will be one public performance at 7:30 p.m. on Friday, April 20. Tickets are $8 adults, $5 seniors (55+), students, and GCC faculty/staff, and $3 GCC students with valid ID and $2 discount for GCC alumni with alumni card. Children under the age of 12 free!
The Fine and Performing Arts Committee at the Genesee Center for the Arts is participating in March's Arts Awareness Week with two workshops that are free and open to the public. From 9 a.m. to 2 p.m. on Tuesday, March 27 in the Forum of Batavia's main campus, local artists will be demonstrating origami, bookbinding, pottery, needle felting, painting, photography and more in hands-on workshops. On Thursday, March 29, Jeffrey Sweet will be presenting a workshop on playwriting, as well as doing a one-man performance of "You Only Shoot the Ones You Love." Please note that this short play is appropriate for ages 16 and over.
The Genesee Symphony Orchestra returns to Genesee Community College for its 64th season with one performance at the Stuart Steiner Theatre: "Musical Safari" at 4 p.m. on Sunday, Feb. 26. A second concert, "Musical Salute," is scheduled at 4 p.m. on Sunday, April 29 at the Elba Central School auditorium. Tickets are $12 adults, $8 seniors (62+), $5 students (18 and under or GCC students with a valid ID) or $30 family (parent plus children 12 and under). For full schedule and tickets, visit the GSO at www.geneseesymphony.com
A special GCASA jazz event taking place at the Stuart Steiner Theatre will be the Glenn Miller Orchestra, with an opening act of the Genesee-Orleans All-Star Jazz Ensemble, at 2 p.m. on Sunday, March 4. This is a fundraising event for GCASA, and tickets are $30 adults, $15 seniors (65+) and $15 students with ID. All tickets are general seating and expected to sell out early, so get your tickets soon at Roxy's Music Store and the GCASA office in Batavia. The Genesee Center for the Arts Box Office will also have tickets available, cash or check only for this event, but call ahead to check tickets availability.
The last event of the season is a collaborative event with the Genesee County Mental Health Association and Maryanne Arena, director of fine and performing arts at GCC. A one-act play by Marsha Norman " 'Night, Mother" will be performed at 7 p.m. on Friday, May 11. Starring Maryanne and Jaime Arena, it features a daughter, Jessie, and her mother, Thelma, in a story about suicide. For ticket prices and selling locations, visit GCMHA at www.gcmha.org. All proceeds will benefit GCMHA. Please note that this play is appropriate for ages 16 and over.
For general information, contact the Genesee Center for the Arts Box Office at 345-6814, or by email at boxoffice@genesee.edu. For door-to-door directions sent via email, visit www.genesee.edu.
The primary voice of community and educational theatre in the Empire State, TANYS returns to Genesee for their annual theatre festival of workshops, demonstrations and performances.
Forum Players Club members as well as Theatre and Technical Theater Majors participate in this yearly seminar! Great fun and experiences!!
Hobnobbin’ Goblins Halloween Theme Puppet Show
by Robert Rogers Puppet Company
Saturday, October 29th at 11am
Tickets: $8/$5/$3
Special Buy One Get One Free – Buy one adult or senior ticket get a child ticket free!
A rousingly spooky (but not scary) Halloween celebration. It's the perfect occasion for elaborate marionettes (string puppets) expertly brought to life, to bring out the mischief and fun of this special holiday. Fun for all ages!
One women show “Lilia” presented by the Fine and Performing Arts committee, Friday, September 16, 2011 at 7:00PM
Lilia is about the extraordinary life of Oscar-nominated actress Lilia Skala, written and performed by her granddaughter Libby Skala.
This is a unique and often spellbinding production. Even if you have never heard of Lilia Skala, you will know her well at the end of this riveting play.
Tickets: $10 Adults, $8 Seniors (55+), $5 Students (18-), and GCC Faculty/Staff, $3 GCC students with valid ID.
After a quiet fall theater season, the spring season at the Genesee Center for the Arts will feature plenty of live performances due, in part, to brand-new, state-of-the-art lighting and rigging upgrades in the Stuart Steiner Theatre.
The Center for the Arts, located on the Batavia Campus of Genesee Community College, has undergone improvements totaling over $200,000, not including the adjacent art gallery that is currently in the finishing stages of construction.
Ed Hallborg, the theater's technical director, said the upgrades improve lighting quality and controls to current technical standards, and they also made safety improvements for the rigging to support both light fixtures and stage curtains.
(A video of the "behind the scenes" workings of the new equipment can be viewed at www.youtube.com/SUNYGCC <http://www.youtube.com/SUNYGCC> under the video "Making Theater Magic.")
The rigging improvements addressed new safety and building codes, while the lighting upgrade consist of a new dimming system and a new lighting console. A new sound recording system called ProTools allows for state-of-the-art recordings for not only theater performances, but for student classroom use.
"Although many of the upgrades were certainly needed, much of the new technology is behind the scenes," Hallborg said. "Regular patrons may not even notice the improved lighting and sound equipment, but the cast and crew who work behind the curtain or up in the control room, as well as Fine Arts students, will be grateful for the new, easy-to-use, modern technologies."
Genesee's modern facilities allow for increased hands-on experience for students in the Fine Arts curriculum, specifically Technical Theater majors. Demand is high for qualified, skilled and talented technical theater professionals in communities nationwide.
Genesee graduates are ready to work in professional and community theater facilities, as television crew, special events management, musical and opera companies, major touring productions and concerts, and in the travel/cruise entertainment industries.
Technical Theater career opportunities include: stagecraft technicians; theater electricians; lighting designers/technicians; stage director and managers; sound designers/technicians; and set designers/technicians.
Students also have great transfer options to further their education with institutions such as the University of Buffalo, Buffalo State College, Ithaca College and SUNY Brockport.
