entertainment

The music of the 1990s is still going strong, the way Zach Goode, lead singer of Smash Mouth, sees it.

Twenty-five years ago, San Jose-based Smash Mouth topped the charts with songs like Walking on the Sun and All Star, a pair of multiplatinum albums, and scoring multiple Top 40 hits, a string of success that continued into the early part of the new century.

Goode is in a unique position to observe the 1990s music scene. He worked it with some regional success in San Diego's vibrant punk, metal, and alternative rock scene and then took a deep dive into the Smash Mouth catalog three years ago when he replaced founding lead singer Steve Harwell. (Harwell left the band in 2021 due to health issues. He died in 2023.)

Once in the role, Goode studied Smash Mouth's records inside and out and knew, he said, just how well-written the songs were.

"I was really familiar with the hits," said Goode, himself a songwriter.  "I didn't know all their back catalog, and as I listened to some of the stuff, I was like, 'Wow, if you had a different vocal on this, it could be a Beck song.' Some of the stuff is totally cool and artsy; it's retro and space-age, so it's really cool.  It still sounds futuristic.

"It's really good songwriting. I think some of the songs Greg (Camp) wrote (are really good).  If he wrote a song about a car, you know, that song is going to have three or four verses, a beginning, a middle, and an end. It wasn't just like a trendy, catchy earworm. He tells a story, and all the songs are very clever."

Camp left the band in 2008 and has returned periodically, but has worked on other projects, released solo material and is currently a songwriter and producer based in Los Angeles.

Canadian Paul De Lisle is the lone original member of Smash Mouth still with the band.

A hallmark of Smash Mouth's albums is the variety of genres they mixed together, which helps the entire catalog sound fresh today, from punk and hip-hop to ska and alt-rock. They even touched on bossa nova and disco.

"It's kind of a matter where all of the elements kind of came together -- the lyric, the production -- Eric Valentine's production was incredible -- and obviously they had hits, so that's what sets them apart from some bands."

Smash Mouth continues to attract a large crowd based on all of those hit songs, even if recent chart success has been elusive.

Since Goode joined the band, Smash Mouth has recorded 14 new tracks, including a Christmas album, along with a few singles. The latest single is Ride On, a disco jam celebration of California.

The band is working toward turning out a new album, hopefully by the end of the year, but between touring and all the band members living in different parts of the country, there are logistical challenges to overcome.

Meanwhile, they continue recording singles.

"I have about five songs I wrote that I submitted that are kind of in the queue," Goode said. "We're just slowly recording new songs and putting them out there. That's kind of the new paradigm in the music biz, right? Just to put songs out and work them for a while and then do another one. No one is in a real big rush to put out a new album unless you're the Taylor Swift of the world these days."

Those early Smash Mouth records were pretty special, as Goode understands, and that's the bar the band knows it must meet and what they're aiming for, Goode suggested.

"It's not easy, you know; it's like there's a certain thing that they had," Goode said. "That's not easy to replicate. I mean, even they couldn't replicate it, you know? Every song would be a number-one hit if they could be, but it's not that easy. There has to be a little bit of magic involved."

Three years into his new gig, Goode is grateful for the step up from a local band with no crew to support the performers to one with professionals all around and large, appreciative crowds that know all the band's songs.

"It's really nice to travel with these guys who know how to do their jobs," Goode said. "You're able to just focus and put on a good show. 

"And wherever we go, ten thousand people show up, and they know all the songs. It's been a blessing. It's just great."

He also appreciates how the fans have embraced him as a new frontman for a beloved band.

"I was expecting a lot more pushback," Goode said. "I mean, sometimes, people aren't happy when you replace a band member, especially the lead singer, especially an iconic singer, so I was braced for the worst, and right from the beginning, people were just super accepting and nice."

As the new frontman for one of the top groups from the 1990s, he's stepped into a world that includes, among others, Everclear, Sugar Ray, the Spin Doctors, Fastball, Live, and the Barenaked Ladies.  These are bands, he notes, that may no longer have the chart success they once had but still are in demand and draw big crowds.

"They might not still be on the radio every day but there's a huge generation of people (who are fans)," Goode said. "The older classic rock bands are not going to be around forever, unfortunately, and the 90s bands are the next wave of classic rock."

Smash Mouth headlines at Batavia Downs on June 21.  For tickets, click here.

“The Whirligig of Time,” the newest production from the Batavia Players at Main St. 56 Theater, melds the fantasy of time travel with the magic of William Shakespeare to captivate an audience's imagination.

Written by Rick Bingen, Whirligig (itself a reference to a line in Shakespeare's Twelfth Night), the play is the story of a woman who visits London on vacation and then returns to complete the journey he longed to take before they returned home. Her husband, a software engineer obsessed with Shakespeare, had planned a visit to a tavern known for its authentic recreation of a watering hole from the Bard's time. Alas, when they arrive on that last night, the tavern is closed.  

The husband begs his wife, Olivia (another allusion to the Twelfth Night), to stay in London a few more days and catch another flight home. After all, he argues, you never know if their plane might roll off the runway or he might die of boredom in his job.

After he passes, Olivia returns to London and that tavern. After a brief visit to contemporary times, she is magically transported back four centuries and meets Shakespeare and his friends and associates, Richard Burbage, Will Kemp, Rebecca Heminges, and John Heminges.

Photos by Howard Owens.

Philip Klein is a successful film composer in Hollywood; still, it's nice to come home again and visit your alma mater.

Especially if the same high school orchestra that helped mold your talent is preparing to debut a piece you wrote and arranged.

"It's very meaningful to me, it's very special," Klein said. "My world in L.A. now. It is so fast-paced. Kind of crazy. So to come back here and just kind of have this moment that feels like a community again, you know, you don't really get that, and to share it with students. It's really special. It means a lot to me that they would even want something from me and that they would take the time to play it so well."

The piece is Flight of the Voyager, which tells the story of Voyager 2. The spacecraft was launched in 2018 and is the first craft to reach Uranus and Neptune and is the second craft to reach interstellar space.

The piece was written specifically for the Pembroke Concert Orchestra to perform.  It makes its international debut on May 30th at 6:30 p.m. in the Pembroke Junior-Senior High School Auditorium.

Klein graduated from Pembroke in 2003. He studied trumpet performance and composition at Northwestern University. In 2011, he was selected as one of six fellows with the Sundance Institute's Film Composing Lab. In 2009, he won Best Composing from the ATAS Foundation's College and Television Awards. He was a nominee in 2022 for best original score for an animated film, for Wish Dragon, from the International Film Music Critics. The same group named him Break Through Film Composer of the Year in 2021. He won the Alan Parsons Award in 2022 for Best Original Score Short Film (Who Goes There).

His film credits include Joker, The Mandalorian, Medieval, The Last Full Measure, Cicero in the Winter, and Clones Gone Wild, along with dozens of others where he participated in the scoring or orchestration.

"It's amazing to us that Mr. Klein wrote the piece for Pembroke, and our band director,  John Bailey, is wildly excited for our students to get to meet and work with him," said Superintendent Matthew Calderon.

At the rehearsal on Tuesday, Klein was clearly enjoying himself.

"It's a lot of fun for me to be back," Klein said. "First off, I mean, just to be in, in school with them again, and just the energy of seeing a group like that play together. And it's always fun to hear your piece of music played live for the first time. They did great; they worked really hard. And it's not an easy piece."

Anyone catch the full moon Friday evening?  Here is an image by photographer Steve Ognibene in case you missed it.

Photos by Philip Casper.

It’s been a decade since the arrival of “Take Me To Church,” the crossover hit single that made Hozier a worldwide star and established the native of Wicklow County in Ireland as a new artist to watch on the music scene.

The video for the song was posted on You Tube on Sept. 25, 2013 and almost immediately went viral.

This response got the attention of bigger worldwide labels, and Hozier was signed by Columbia Records in America, which released Hozier’s self-titled debut album in September 2014.

“Take Me To Church,” naturally enough, became the album’s lead single and reached No. 2 on “Billboard” magazine’s all-genre Hot 100 singles chart in December 2014. By the time touring behind the debut album wrapped up in late 2016, the self-titled album had gone double platinum and Hozier was a bona fide star.

Sometimes, though, signature songs like “Take Me To Church” can come with unwelcome side effects. Artists can get judged by the success of a monster hit and mocked if they don’t reach those heights again. Or, the song can wear on artists as they feel required to perform the song at every concert, year after year, from that point forward.

Hozier has no such afflictions when it comes to “Take Me To Church.”

“I was sort of operating from quite an indie or alternative space, and then that song catapulted me into very, very popular spheres in the way it charted. It absolutely changed my life,” Hozier said reflecting on the song in a recent video interview. “And I was pretty proud of it when I wrote it, and what its sort of mission statement was and what I hoped to communicate. In ways, I’m very happy and grateful for that. But if any of my songs can have the sort of reach that that song achieved, I’m very glad that it was ‘Take Me To Church.’”

Despite the song’s impact, the man born 34 years ago as Andrew Hozier-Byrne appears to have evaded being known as the “Take Me To Church guy.” For one thing, he’s had more hit singles – including “From Eden” and “Someone New” from the self-titled album and “Almost (Sweet Music)” from his gold-certified second album, 2019’s “Wasteland, Baby!” And just last month, “Too Sweet,” the single from his newly released EP, “Unheard,” which includes four songs from the same sessions that produced his current full-length album, “Unreal Unearth,” became his first song to top “Billboard” magazine’s all-genre Hot 100 singles chart.

He’s also showing considerable artistic growth. “Unreal Unearth” figures to firmly solidify the notion that he has the talent and creativity to fuel a career that lasts not just years, but decades.

From the start of the project, Hozier wanted to take his sound to new heights, and he worked with a number of songwriters/producers to achieve this objective, with Jeff “Gitty” Gitelman, Daniel Tannenbaum and Jennifer Decilveo being primary contributors,

“I knew I wanted it to be broad. I knew I did want to expand into some sort of soundscapes to play with,” Hozier said, noting he wanted to blend vintage synthesizers and other synthetic sounds with strings and other organic instruments. “I kind of didn’t want to limit anything. I just wanted to explore and make sense of it afterwards, let each song be what it needed to be and explore the spaces they needed to explore. In that way, it became kind of expansive and it became varied. I played around with a lot of sonic textures.”

Thematically, “Unreal Unearth” is plenty rich as well. The 16 songs offer a journey from darkness into light that reflects the pandemic experience and also alludes to “Dante’s Inferno” and Dante’s walk through the nine circles of hell. Hozier uses these as a backdrop for lyrics that he said relate to a range of uncertainty and upheaval he experienced himself or witnessed with people he knew, spanning loss and love, feelings of disillusionment and a resolve to recalibrate daily lives to better align with personal goals for work, social lives, family lives and relationships.

“Like any album, if you’re writing from a personal place, you’re processing and sort of exorcising and examining personal experiences over a period of time, or (making) personal observations or whatever of the world around you,” Hozier said. “But these all took place in a very, a lot of these experiences took place in a very, very particular, unique and prescient time for the world, in a pandemic. I wanted to acknowledge and to gesture and sort of credit those conditions of coming into something – the pandemic – and coming out the other side without necessarily writing songs or writing an album that focused specifically on the experience of the lockdown, the experience of the pandemic.”

To translate the kaleidoscopic sound of “Unreal Unearth” (as well as a healthy selection of songs from his first two albums) to the live stage, Hozier has put together a large touring band with plenty of instrumental and vocal versatility.

“There’s nine of us,” he said. “There are two string players. There’s a violin player who also plays guitar, there’s a cello player who also plays guitar, there’s an organ and synth player who is also a Latin percussionist. Yeah, there’s nine of us and everybody is a multi-instrumentalist in some way, shape or form, and everybody is a singer. So we have nine voices on stage and nine multi-instrumentalists.”

Hozier will be playing at Darien Lake Performing Arts Center on Wednesday.

More than 50 fourth and fifth graders at Pavilion Central School are getting their first exposure to musical theater with a production of Peter Pan Jr., and show director Rebecca Marczyk said the students have been doing a great job getting ready for Thursday's debut.

Tryouts were in January, with much of the preparation and rehearsal until recently in classrooms.

"I find they have improved a lot from where we first started," Marczyk said. "I've seen them grow a lot. They've never been on stage before. And we've only been on the stage here for a month."

It's a full production, too, with costumes, stage props (including a big ship), and all the singing and dancing a young troupe of performers might want.

"It's just fun. There are like fun dances that are in the musical," said fourth grader Essie Michau, who plays Tigerlilly.  

"I just thought it would be fun because I've never acted before," Essie said. "I thought it would be fun to try something new. And it's like, I knew a bunch of my friends were doing it, so it'd be like a chance to hang out with them."

She said he was already a dancer and she loves singing.

Singing and dancing is fun, but it's better doing it with friends, many of the performers said.

"I love the movie Peter Pan," said fifth-grader Adelaide Noble. "This is fun, and I love being with my friends and doing stuff with them."

Eleanor Logsdon, who plays Wendy said her favorite part of the production is, "I get to hang out with all my friends."

Connor Smart, who plays Peter Pan, said, "I like getting all the lines and saying a lot."  

He said he plans on continuing with musicals through school because "I just like musical stuff. I like music."

Brooklynn Bannister, who plays Capt. Hook, thinks she has a special role.

"I find it really fun because I've never like really thought of me as a villain," Brooklynn said. "But now that I'm doing it, it's like really fun. And I just like the costume and stuff. And I enjoy being a leader of some people."

Student involvement extends beyond the cast. There are student members of the stage crew and two sixth graders who were in last year's musical and are helping out this year as assistant directors.

They are Emma Tillotson and Leah Banister.

They have different views of how the production is going so far this year.

"It's a lot different than last year," Emma said. "They're definitely a little bit behind. But I think that it will be a really good one."

Leah said last year's Frozen cast had less time to practice.

"With more time practicing, I honestly think it's better," Leah said. "And I think it's perfect. I think it helps to have us around."

Getting a lot of kids involved is important to Marczyk.  Staging a musical is about more than singing and dancing.

"It teaches them responsibility," Marczyk said. "That's a big thing. It also teaches them good character. We respect each other and are kind to each other because they don't always know how to do that. They get mad at each other. And they have to take ownership. They have to take ownership for their parts. We talked about being a family. Being a family is just like being on a team for softball or soccer. We all have to work together to have a wonderful production."

Showtimes are at 1:45 p.m. and 6:30 p.m. Thursday.

Music Director Ric Jones promises no clouds will obscure the beauty of Genesee Chorale's spring program -- Eclipse.

The 12-song concert takes its theme from the recent total solar eclipse that passed over the United States, including Western New York, opening with "Measure Me, Sky." 

Other titles in the show include "Canticle of the Sun," "Song to the Moon," "Light Beyond Shadow, "Day of Fire and Sun," "Capture the Sun," and "You Are the New Day."

Three songs are performed in total darkness to help the concert mimic the experience of a total eclipse.

Eclipse opened Friday evening in the auditorium at Pavilion High School. Its second performance is scheduled for 2 p.m. on Sunday at St. James Episcopal Church, 405 East Main St., Batavia.

Photos by Howard Owens

The Batavia Players production of “Evita,” hitting the 56 Main Theater stage this weekend, is high energy, said director Pat Burk.

There is nonstop singing and frequent dancing, and the main character, Kristen Gelia's Eva Peron, has 15 costume changes.

"Evita is very tough because she's rarely offstage," Burk said. If she's offstage, it's for 30 seconds. She literally sings over half the score, so it's a very difficult role. You need a strong voice, strong acting skills, and the ability to be very quick, manipulate, and move quickly."

Gelia, who was lead in the “Drowsy Chaperone” last spring, is a former Harvie Award winner and has been in a number of other Batavia Players’ productions, is doing a great job in the role, Burk said.

The cast -- which has only four named characters, and everybody else is an "ensemble" -- is active throughout the entire production, and Burk believes audiences will thoroughly enjoy the show they put on.

"I'm very, very pleased with our talent," Burk said. "This cast is doing a tremendous job. We have very long rehearsals, 10 hours on some days. And you're looking at people who volunteer their time to put on something that is not normally done in a regional or a community theater. We have great musicians in the pit, and you know that our tech is great. And so I hope people come and see it. It's a wonderful, wonderful show."

The Batavia Players production of Evita, hitting the 56 Main Theater stage this weekend, is high energy, said director Pat Burk.

There is nonstop singing and frequent dancing, and the main character, Kristen Gelia's Eva Peron, has 15 costume changes.

"Evita is very tough because she's rarely offstage," Burk said. If she's offstage, it's for 30 seconds. She literally sings over half the score, so it's a very difficult role. You need a strong voice, strong acting skills, and the ability to be very quick, manipulate, and move quickly."

Gelia, who was lead in the Drowsy Chaperone last spring, is a former Harvie Award winner, and has been in a number of other Batavia Player's productions, is doing a great job in the role, Burk said.

The cast -- which has only four named characters, and everybody else is an "ensemble" -- is active throughout the entire production, and Burk believes audiences will thoroughly enjoy the show they put on.

"I'm very, very pleased with our talent," Burk said. "This cast is doing a tremendous job. We have very long rehearsals, 10 hours on some days. And you're looking at people who volunteer their time to put on something that is not normally done in a regional or a community theater. We have great musicians in the pit, and you know that our tech is great. And so I hope people come and see it. It's a wonderful, wonderful show."

The story of Evita, meaning how Andrew Lloyd Webber and Tim Rice came to write the musical, begins with them writing the eventual hit song "Don't Cry for Me Argentina" when Webber and Rice became enthralled with the story of Eva Perón.

They wrote "Don't Cry for Me Argentina" and decided to spin it out into a rock opera.  Evita was a concept album released in 1976 before it became a Tony Award-winning Broadway musical. The production eventually toured nationally, was adopted to film in 1996, and has been performed on stages from London to Spain, Mexico and South Africa.

The musical tells the story of Eva, who was born poor in the small city of Junin. At 15, she seeks a better life in Buenos Aires and persuades tango singer-songwriter Agustin Magaldi to take her to Argentina's capital city.

Once there, Eva sleeps her way up the social ladder. She becomes a model, radio star, and actress. During this same period, Col. Juan Perón begins his rise to power. 

Following a charity concert in Luna Park to aid earthquake victims, Perón and Eva meet and begin an affair. Eva suggests she can help Perón rise to power.

Once the relationship is public, Eva is introduced to high society, only to be met with disdain from the upper classes and military.

"Surprisingly, at that time, the aristocrats in Argentina were basically people who fled from Nazi Germany as Nazis. In other words, after the war was over they checked out of Germany in order to be safe from being prosecuted," Burk said. "Also, a tremendous number of English people who were fascist and Nazi sympathizers (migrated). So it was a very wealthy group that was trying to run things, and she kind of upset the applecart."

That compelling story, along with the musical's iconic status, energy, and great work of the cast and crew, is why Burk hopes the community will be inspired to turn out for the production.

"It's been a favorite of mine for quite a few years," Burk said. "And it isn't always available for production; we're very lucky we were able to obtain the rights. It took us over two years to do that, to do the production here."

Evita opens at 56 Main St. Theater at 7:30 p.m. on Friday, followed by another 7:30 p.m. performance on Saturday and 2 p.m. shows on Saturday and Sunday. Tickets are $22 online, or $24 at the door, and students and seniors are $22.

Photos by Howard Owens

Due to scheduling conflicts among musicians, the Genesee Symphony Orchestra's final concert of the season has been rescheduled for the 2024-25 season.

Season ticket and Flex ticket holders can use their current tickets for the rescheduled concert. 

The original date of the concert was May 5, and it was built on the theme "American Pictures."  It was going to feature the works of composers from the United States such as Aaron Copeland, William Grant Still, and Florence Beatrice Price. 

Four friends who have a lot to say, and they say it through song -- sharing their stories, their ups and their downs, and their secrets -- is the motif that makes Four the Record, a cabaret show, an entertaining show at Main St. 56 Theater this weekend.

The four-person cast features four Harvie Award winners: Deacon Smith, Jocelyn Coburn (not available for photos), Sarah Hill and Sophie Houseman.

The show opens on Friday at 7:30 p.m., with performances on Saturday at 7:30 and on Sunday at 2 p.m.

To purchase tickets, click HERE.

The Bergen Evangelical Presbyterian Church has just completed a huge organ renovation project, and to thank the community for its support, the church is holding a series of free musical concerts.

“The renovation of the church pipe organ was a huge undertaking for our church,” said Gregg McAllister of Batavia, a longstanding member of the church who volunteered his time to promote the renovation and fundraising. “Church members wanted to offer something special to the community to celebrate, so they planned this concert series.”

Two concerts have already been held in the series, with two more to go, including one on April 27 and an organ concert in May featuring Eastman School of Music musicians.

The church invested $90,000 in the restoration project.

According to McAllister, a member of the Bergen Evangelical Presbyterian Church since 1960, the organ is a historic treasure.

McAllister shared some of the organ’s history, dating back to its installation in the church in 1907, to celebrate the 100th anniversary of the church’s founding. The organ was built by Viner and Son in Buffalo in 1901 and installed in a theater there. For some reason, it became available for purchase in 1907 and was acquired by the Bergen church.

McAllister described the instrument as a full pipe organ that had to be pumped by hand to create air. Youth in the church, called “tweens,” did the pumping from under the sanctuary.

The organ previously underwent renovations in the 1960s and 1980s, when church members, including longtime member Fred Ely, volunteered to physically redo the leathers and felts that held the keys together.

Ely was an active member of the Renovation Committee, and his family’s involvement with the church and its organ goes back to its arrival at the church. He first became a member when he married Eunice “Eunie” on June 8, 1957, at the church where she is a lifelong member. He explained that a church member arranged to buy and install the organ in the church in 1907, and a relative of Eunie’s transported it to Bergen. Her father also hand-pumped the bellows to make the organ play.

Alden Snell, a professor at the Eastman School of Music, began playing the Bergen church’s organ during his junior year at Robers Wesleyan College in 1999. After moving to Delaware with his wife, Christin, Alden returned to Bergen in 2018 and resumed his duties as the Bergen Evangelical Presbyterian Church organist.

“This organ is small by some standards, yet it has a lot of character,” Snell said. “Before the renovations, you sat down and wondered, ‘What is it going to do now.’”

 It became evident the congregation had a big decision to make – let the organ die a slow death or bring it back to life.

Snell said talk of renovation and fundraising began just before the pandemic. The congregation then met in July 2021 and agreed to embark on a $90,000 fundraising campaign.

“This was a big project and needed congregational support,” he said. 

A Renovation Committee was formed under the leadership of Pastor Brandt Hammack and was led by Rob Willhoft, Snell, Tom Jones, and Ely.

Parsons Pipe Organ Builders in Canandaigua was contacted, and renovations began in June 2023 and were completed in November. 

Some of the problems that had to be addressed were pieces that opened the pipes had weathered and needed cleaning. All the pipes had to be removed and cleaned, as did two keyboards, which were warped, and a pedal board. The renovation involved organ pipe voicing, woodworkers and designers who crafted a custom wind system.

The final step was providing clean air and creating a “clean room” for the blower. 

McAllister said the renovation process was very intricate. Every key had to be adjusted, and the sound had to be balanced with the building's acoustics. 

Snell said an organ is fit for its space, and the sound of this organ fills the sanctuary but doesn’t overpower it.

“By the end of the fund drive, the church only had to pay the initial 10 percent down payment and the rest all came in donations from the congregation and community,” he said. “We are really happy with the results.”

As for the concert series, the first concert was on Feb. 4 and featured church organist Alden Snell and David Carmer, organist of Trinity Lutheran Church in Medina.

The second this past Sunday featured Jaclyn Breeze of North Chili, composer and flutist, as well as Snell.

The next concert will feature guitarist George Collichio at 6 p.m. on April 27 in a Door of Hope Coffeehouse event at the church. 

The final concert at 6 p.m. May 5 will be an organ recital featuring Eastman School of Music students.

While there is no admission for any of the concerts, a free-will offering is accepted at each.

Probably the best Mr. Batavia in its 11th year history.

That’s how contestant Harry Southall described this year’s contest, which featured 13 young men on stage Friday evening at Batavia High School.  After Southall came in as first runner-up, he was elated to have been part of such a team effort even though each individual was competing for the number one spot.

“I mean, it was just electric,” Southall said. “We all did amazing. I knew it was gonna be close, all of us did really good. But I was really excited. When I heard my name, it was an awesome feeling.”

He spoke about the backstage bond that he and the dozen others forged, including Mr. Batavia himself, Elijah Abdella. The contest appeared to be “a complete toss-up” until that very moment when his name was called, Abdella said.

“I was very surprised. Every single person in Mr. Batavia this year did phenomenally,” Abdella said. “It definitely had a lot of ups and downs. In the beginning, I was actually very confident. And then in the week going into the show, I was very nervous because some parts of my lip sync and my talent just weren't working properly, and I was very stressed. But I'm very glad that they they worked during the show.

“There's so many guys in here that I just would not have ever spoken to if we didn't do Mr. Batavia together,” he said. “And there are so many connections that we've made by doing this that will last a very long time.”

Southall agreed that he would likely remain friends with the entire group “for years to come.”

The 11^th annual Mr. Batavia packed in a big crowd for another well-attended, exciting competition, event Chairwoman Lisa Robinson said. This year's competition surpassed the fundraising total of $5,000, bringing the 11-year total to more than $42,000, Robinson said. 

The 13 contestants competed in various categories from talent and lip sync to dance, swimsuit and tux. Each one represented a different charity, and the first place winner, Elijah Abdella, will receive 50 percent of the proceeds to donate to his selected charity, Genesee Cancer Assistance.

Brian Calderon, who said he was feeling nervous in the week leading up to Friday, came in second runner-up.

“I was pacing back and forth backstage, but after getting it done, it feels like such an accomplishment to me and just a big, big obstacle to overcome in my high school career,” Calderon said. “Some of these guys, I haven't really known that well beforehand, but now I've known them like they're my friends for five years. We've all gotten close as a group and it's been really a joy.” 

Southall and Calderon will each receive 25 percent of the proceeds for their charities, the Batavia VA and Suicide Prevention of Genesee County, respectively. 

Other contestants and their charities were:

• Ryan Cox – Habitat for Humanity and Uconnect Care
• Owen Halpin – The Michael Napoleone Foundation
• Orion Lama – The American Heart Association, Buffalo
• Eli Michalak – The Ricky Palermo Foundation
• Ryan Plath – The Batavia City Schools Foundation
• Parris Price – The Salvation Army
• Emmanual Richardson – Go Art!
• Patrick Suozzi – The Red Cross
• Brock Warren – Crossroads House
• Peyton Woeller – Genesee County Mental Health

Judges were Trevor Sherwood, Quentin Branciforte, Cameron Hardy, Dominick Brown and Carly Morgan.

Steve Ognibene contributed to this article.

To view or purchase photos, click here.

Photos by Steve Ognibene

The house was a-rockin' from 11 a.m. to 7 p.m. on Sunday at the Willow Bend Inn as music fans welcomed spring to the sound of five area bands.

Among them, Shotgun Pauly (pictured).

The house was packed.

Also, on the bill, Bad Sign, Double Image Band, Rock Solid, and Stanton (the RnR Band).

Shotgun Pauly returns to the Willow Bend for a show on Saturday night.

The Willow Bend was celebrating 56 years as a family-run business.

Photos by Howard Owens.

For fans of vehicle racing, the David M. McCarthy Memorial Ice Arena was the place to be, with motorbikes and four-wheelers among the motorized machines taking to the frozen surface for fast trips around the track.

Anthony Barlow started Extreme Ice Racing 20 years ago, met Robbie Nichols in Elmira 15 years ago, and Nichols became a friend and supporter of the sport.

Last year, Nichols brought Extreme Ice Racing to Batavia for the first time.

"We got a few different classes," Barlow said. "We got the speedway bikes that go from zero to 60 in under three seconds, and they have no brakes. And we've got the four-wheelers, which people can really relate to because most people have a four-wheeler, and you've got the flat-track bikes. You've got the kids racing cars, people love kids, and then you've got the go-karts. So when people come, you never know what you can get with ice racing."

To view or purchase photos, click here.

The Genesee Symphony Orchestra held its annual young artists' competition on Saturday at Batavia First Presbyterian Church.

On hand as judges were board members and Musical Director S. Shade Zajac. 

The winners will be announced prior to the 2024-25 season and be featured soloists in the winter concert.  There were a half-dozen entrants this year, including 14-year-old Tristan Zhang, pictured, from Pittsford, whom Howard Sounder accompanied.

Audiences will have an opportunity to watch a French connection this weekend.

Not the one with big city narcotics detectives investigating a heroin smuggling ring, but rather, the royal Shakespearean drama of “King John,” about the difficulties of who the lead character was and that he usurped the throne, Director E. Jane Burk says.

“One of the other characters that is in this play, his name is Arthur, he is John's nephew, he was the son of John's older brother, Jeffrey, who died. John took the throne before Arthur could ascend to it; he actually usurped the throne from his nephew Arthur. So much of the play revolves around a French connection. That's why we have (on the banners at the back of the stage) English lions on one side, and we have French fleur-de-lis on the other side,” Burk said during rehearsal Tuesday. “There is a significant threat of war because the French segment, the French king, King Philip, wants to put John's nephew Arthur on the English throne. So it all revolves around the situation that it was very militaristic. You could almost say contemporary in terms of the different factions that were trying to come to power.”

Batavia Players will present Shakespeare in Springtime’s “King John” at 7:30 p.m. Friday and Saturday and 2 p.m. Sunday at Main St. 56 Theater in Batavia City Centre.

Playwright William Shakespeare penned a significant number of plays that were histories about notables such as Richard the Third and Henry the Eighth, and this lesser known figure, King John, Burk said. 

“It is not frequently performed anywhere,” she said. “And it’s interesting because, actually, this particular play is all in verse. It’s all poetry; it’s not prose, it’s not normal, conversation-type stuff.”

A passage from King John’s character states:  

O cousin, thou art come to set mine eye.

The tackle of my heart is cracked and burnt,

And all the shrouds wherewith my life should sail

Are turnèd to one thread, one little hair.

My heart hath one poor string to stay it by,

Which holds but till thy news be utterèd,

And then all this thou seest is but a clod

And module of confounded royalty.

The time period is 1216, and the play is paying homage to the Magna Carta, which King John signed in 1215, a year before his death at 49, Burk said. The cast quickly became familiar with the setting, the lines and the demands of such a production, and has fulfilled its responsibilities with aplomb, she said.

Auditions were in mid-January, everyone received their scripts and immediately began to learn their lines after being cast for roles, and, because another show was happening during a portion of February, rehearsals didn’t even begin until later in the month.  

“And this is only March 19. And kudos to the cast. I give them so much credit. They have done an extraordinary job of creating this place that is not Western New York. That is not Batavia. That does not sound anything like the way we speak. I have French people that are speaking with French accents,” she said. “We have worked hard on this. They have learned their lines, their scripts, word for word. If you were to sit right now — I'm not exaggerating — if you were to sit and actually listen to what they are saying, watching but listening, and reading the script as you're going along, you will see that it’s word for word. It is extraordinary. That's exceptionally difficult. You cannot take away from the fact that they have given heart and soul to making this happen.”

And who are “they?” By all other accounts, they are ordinary people, volunteers in the world of community theater with a passion for the arts, people who have jobs, work for a living, tend to families, she said, and dedicate many hours to memorizing their lines and create the character they will eventually bring to life up on stage. 

The premise of “King John” is that he goes to war against the French after claiming that his nephew should be king instead. John has conflict with the church, orders his nephew's death, and turns the nobles against himself. In the end, John dies after a monk poisons him, the French retreat and his own son becomes king.

Burk isn’t necessarily looking to convert the masses onto Shakespeare; however, she’s hoping that folks are willing to give it a try.

“My idea is that, on some level, most of the people that will come to see the show probably have not had any sort of prior experience with Shakespeare,” she said. “But what we hope is that if we can make a difference in the life of one person if we can make the lightbulbs click on for one person, and they understand and discover what Shakespeare is all about, then we’ve succeeded. That’s what it’s all about.”

Tickets are $22 adults, $20 students and seniors online and $24 adults, $22 students and seniors for cash at the door.

March is "Music in Schools Month" across the nation, and on Thursday evening, Batavia City Schools held its annual concert featuring educators and students at all levels to celebrate the month.

The concern opened with the faculty/alumni band playing Sir Duke, a Steve Wonder hit honoring Duke Ellington.

Also performing are the High School Orchestra, the Middle School Beauty Shop, High School Guitar, John Kennedy Second Graders, High School Select Choir, Middle School Band, High School Rock Band, and High School Jazz Ensemble.

Photos by Howard Owens.

LoVeSexy, a Boston-based band that pays tribute to the music of Prince, played to a packed house in Park Place at Batavia Downs on Saturday night.

The band members:

• Giovanni Morant, Lead Vocals, Guitar, Keys & Trumpet
• Anthony C. Grant, Sax, Keyboards, Flute, Vocals & Percussion
• Jodee Frawlee,  Lead Guitar & Vocals
• Brian Eggleston, Keyboards & Vocals
• Jeffrey Gilman, Bass & Vocals
• Chris Botelho, Drums & Samples

Previously: LoVeSeXy pays tribute to the music and artistry of Prince on March 9 at Batavia Downs

Photos by Howard Owens

Opening on Friday night in the Pembroke High School Auditorium is the school's production of the musical "Cinderella."

Performances are at 7 p.m. on Friday and 2 and 7 p.m. on Saturday. Tickets are $12 for adults and $10 for students.

"Come watch that sweet, innocent young maiden as she is terrorized by those closest to her and by the evasive love she so desperately craves," said Director Andy Clark. "Witness a brand new script with new characters and new songs in addition to some of the songs and characters from the original musical."

The cast:

• Cinderella, Grace Strassburg
•  Prince Topher, Charles Stringham
• Madame, the Stepmother, Sarah Forness
• Charlotte, Stepsister, Emily Guilian
• Gabrielle, Stepsister, Mikayla Stringham
• Marie, the Fairy Godmother, Lindsey Zanghi
• Sebastian, the Lord Chancellor, Sam Burton
• Lord Pinkleton, James Childs
• Jean Michelle, Micah Forness

"Our show this year also features a brand new set design team that far exceeded my expectations," Clark said. "I call them the 'Amazing Eight.' They are Stephanie and Tim Benson, Jessica and Zack Dawson, Summer Forness, Justin Reynolds, Patti Schafer and Rodney Stringham. We couldn't have done this show without them. "